Kapow Comic-Con 2012

On Saturday 19th May my pal Simon and I travelled up to London for Kapow 2012, our first ever comic convention. And it was amazing. This post is a little review of the day and includes all the books I got signed as well as all the extra books I bought whilst there. I spent way too much money but it was worth it. A truly epic day. So here's a look at some of the goodies I came home with.

The first book of mine I got signed was by Frank Quitely, whose queue was pretty large but not insurmountable. I was in the line before about 45-50 minutes I reckon, which was nothing in comparison to Mark Millar's queue. Simon was waiting for at least a good hour and a half for Millar's signature; I took one look at that line and ran away. I figured getting Quitely's autograph would be a lot easier than Millar's, which turned out to be true. Frank was a really nice guy and signed my first volume of Batman & Robin on the cover and inside as well. The only thing I regret about this signing is the fact I didn't take my Absolute All Star Superman with me because I would have loved Frank to have signed that, but it was too damn heavy (not to mention precious) to lug around Kapow all day. After getting the signature in the bag I left Simon in the Millar queue for a little longer and decided to shop around a while. That's when I bought these:

Diamond Distribution had a small stall and were selling hardbacks and paperbacks for just £5. I had to ask to make sure, such was my level of disbelief. £5 for a hardback!? I'd had all three volumes of Spider-Man: Brand New Day on my Amazon wishlist for a while so I couldn't believe my luck when I saw these. Each volume was £5 each and in hardback too (I'm a sucker for hardbacks). £15 for all three books, which worked out being less than just one of the books on their own RRP. After Simon had given up on getting Millar he came and joined me at the Diamond stall and picked up a couple of cheap hardbacks for himself.

With a bag full of heavy hardbacks weighing us down, Simon and I moved on and attacked the wealth of long boxes Kapow had to offer. There were loads of shops and Ebay stores who had stalls at the show and they were selling off hundreds of old back issues. I've recently been on a bit of a Spider-Man binge of late so I was looking to add some old yet inexpensive issues of Amazing Spider-Man to my collection. These two jumped out at me (any thing Daredevil related is getting bought by me these days) and didn't cost too much so I grabbed them quickly.

It was when I found the "All Comics for £1" boxes that all hell broke loose. I got issues 58-67 of Bendis and Maleev's Dardevil run (above) for £10 total. Each comic was only a £1 so I just kept adding them up; I think I bought six in a row, then a couple more, then I thought "Hey, why not just two more?". I ended up with ten delightful issues of my favourite Marvel character and then called it a day on the single issues.

By now we'd browsed the convention for some time and each of us had bought a fair few books so we decided to turn our attention to the writer and artist signings once more. 

Both Simon and I both had a few books to get signed by Andy Diggle, whose queue was pretty reasonable. He was really nice and signed two of the first Daredevil issues I ever bought. I love that Daredevil #506 cover on the right, beautifully done by Paulo Rivera; Diggle's signature looks pretty good there too.

We decided to take a little break, get some food and a sitdown for a bit before hitting the shopfloor again. There was plenty more still to buy:

I spotted this (above) and bought it instantly. It's volume 2 of Brian Azzarello and Jim Lee's Superman: For Tomorrow. I bought and read the first volume years and years ago, before I was seriously into comics and I really enjoyed it. I've been trying to get my hands on the second volume for a while now but its been out of print for some time. I've heard volume 2 isn't very good and Azzarello goes a bit off track but I didn't care, Lee's artwork is worth the price of admission alone. I was so surprised to see this at Kapow that this was one of my favourite purchases of the day. 

Civil War: Spider-Man was one of the books I spotted right at the start of the show but held off of buying straight away because I didn't want to spend all my money just yet (I wanted to browse a bit more). But I had to come back and get this and I'm so glad I did. This book is almost an omnibus because its roughly the correct size (contains over 20 issues). It's out of print now too and goes for £30+ on Ebay and even more than that on Amazon, so to get it for £23 was a bargain in my eyes. It's a beautiful edition and I can't wait to read it.

By 4 o'clock in the afternoon, both of us were beginning to tire. We'd been up since 5.30am and had travelled quite a bit. But it was around this time we noticed that the queues for Scott Snyder and Joe Quesada had considerably shrunk in length. So much so that we joined on the end of Snyder's line and were meeting the man himself within 25 minutes.

Before I travelled to Kapow I'd set Snyder and Quesada's signatures as the two I wanted the most. I am a huge fan of Snyder and had taken my Batman books to get signed by him and I had some of my Daredevil stuff to be signed by Quesada too. Typically they had the longest queues of the day, being the star names of the show, so people had begun queueing for them an hour and a half before they were even supposed to arrive at their signing tables, which was insane. Simon and I both figured there was no way we'd get our books signed by either of them and resigned ourselves to that fact. So you can imagine our joy when we saw the lines were barely ten people long with just under an hour left to go. Snyder and Quesada were scheduled to sign until 5 pm so we had plenty of time left to get our books signed. As you can see from above I got my Batman: Black Mirror signed by Scott (oh yeah, I got it signed by Jock earlier in the day too, who was a top bloke) as well as my Batman #1 and Batman: Gates of Gotham paperback as well (both not pictured), which I bought on the day (another book I had been wanting for a long time but looks like its out of print already). Snyder turned out to be the nicest guy in the building. Despite obviously being rushed because of the huge line of people he had faced all afternoon, he took the time to ask my name and say thanks for buying and supporting the books. Its little moments like that that made it worth going.

After meeting Snyder and getting our books signed (Simon got his copy of Batman #1 signed and the first volume of American Vampire in hardback) I noticed Quesada's queue had been whittled down to only a few people so I immediately joined on the end. In less than 10 minutes I met Marvel's Chief Creative Officer and shook his hand before he signed my Daredevil books, pictured below:

The book on the left is my hardback edition of Daredevil: Guardian Devil that I review back in March. 

By now we were just about ready to head home, but there was one more moment of fun to be had. Sean Phillips, the British artist responsible for Criminal, Sleeper and Incognito, had been sandwiched between Quesada and Snyder since 3pm and his queue was non-existent by 4.45pm. Whilst I'd been queueing and meeting Quesada, Simon had taken advantage of Phillips's rapidly decreasing line and had gotten his beautiful copy of Fatale #1 signed, which included a cheeky sketch inside. Seeing this I decided to spend my last bit of money on a Criminal paperback to make the most of Phillips being there:

I bought Criminal Volume 6, The Last of the Innocent, since the only copies of the first volume Coward I could find had already been pre-signed or were in pretty rough condition. Since Volume 6 is a stand alone book and not really part of the rest of the series I had no problem buying the final volume before I'd read the previous five. Phillips couldn't have been nicer when I met him. We had a chat about his original artwork he had on display at his table, as well as the different colourists he's worked with (I asked him about his preferences since his original black and white work is so amazing.) Phillips was even nice enough to spent a couple of minutes and draw me an awesome sketch:

And that was that. It was past 5pm and we had to get going if we were to get home in time. It was such an incredible day and everybody we met was so insanely nice to talk to. Whether it was the creators at their tables signing or random people we met in the queues, everyone was really friendly and it really helped make the day a great one. I reckon Simon and I will go again next year, it was that much fun.

Thanks for reading.

New Comics - 25th April 2012

Four books this week. Wasting no time, lets get to them:

Superman #8

Issue 7 of Superman saw the new creators Keith Giffen and Dan Jurgens get off to an impressive start but unfortunately Superman #8 couldn't keep up the pace and felt slightly flat overall. To put it bluntly, this was a mediocre comic at best and failed to satisfy across the board. What's more disappointing is the fact issue 8 could not sustain and carry on the good vibes from Superman #7. What went wrong?

Well Giffen and Jurgens wrapped things up, which is good, but they did it in an unsatisfactory way. Superman has a bad dream, finds out Helspont was trying to control his mind with a face-sucking creature, they fight, Helspont disappears and that's it, story over. As I reached the half way point in this book the words started to roll over me and I had pretty much made up my mind by then. Helspont went on and on explaining why he was there and why he needed Superman blah blah blah. I'd given up caring by then because Helspont's diatribe felt like it was never going to end. It quickly became a boring read, simple as that. The art wasn't much better either. Jurgens, with Jesus Merino finishing his pencils, was inconsistent throughout. Superman's face seemed to change repeatedly and it all felt a bit of mess overall.

I'm seriously thinking about removing Superman from my monthly pull-list. I'm getting really tired of dishing out money for sub-par comics and if Superman all of a sudden becomes the hot book in the comics world, well then I can just pick it up in trade. I might give it one more issue to redeem itself, but at the moment one of my favourite superheroes in the DC universe is on a very tight leash.

Rating: 2/5

Supercrooks #2

I picked up the first issue of Supercrooks two weeks ago for two reasons. 1) Mark Millar is the writer, and I won't go so far to say I'm a fan but I have enjoyed a lot of his work (Superman: Red Son, Kick-Ass, Civil War) and 2) Leinil Yu is on art duties and I will admit to being a big fan of his (Superman: Birthright, Superior). Issue 1 was great and I really like the concept of following the villains instead of the heroes for once. Millar succeeds in making us feel for these criminals and help us understand why they live a life of crime instead of leading normal lives.

Issue 2 continues where the debut issue left off, as ex-con Johnny Bolt resumes his pursuit of putting together his old team for one last big job to help their old mentor who's fallen into a lot of trouble of late. Millar excels as a writer when he isn't being restricted by the strict rules Marvel and DC have concerning their characters, especially the sort of language those characters can use. In Millarworld, where the creator has the freedom to do exactly what he wants, these characters come to life in a somewhat more realistic manner than they would in a Big Two book. For the tone that this book is trying to set, having the characters talk to each other like real human beings is an absolute necessity and Supercrooks benefits from it enormously. Combine this with Yu's flawless art style and you've got a pretty good book in your hands. Yu is at the top of his game here - his distinctive style flourishes throughout.

Overall this is a fun book and I'm really enjoying the direction Millar and Yu are taking this. Keep it up good sirs.

Rating: 4/5

Daredevil #11

Daredevil #11 featured the final part in the three issue mini-event "The Omega Effect" and concluded the story that began in Avenging Spider-Man #6 and Punisher #10. Unfortunately this really didn't live up to my expectations at all and ended in a really unsatisfactory fashion.

The first two parts to the Omega Effect were fantastic. Mark Waid and Greg Rucka's electric script was terrific in Avenging Spidey and Punisher so my hopes were high for the final part, plus it was all going to be wrapped in up in my favourite book featuring my favourite character. What could go wrong? After finishing this issue, it turns out we are exactly where we started before the Omega Effect began. Seriously, exactly. Nothing has changed, especially not for Daredevil and Spider-Man. Only the Punisher's world has been altered slightly. Daredevil had the mega hard-drive with all the data on the big baddies at the start of this crossover and he finished with it too. This was such an underwhelming ending, the Omega Effect might as well not have happened. Its a real shame too because this crossover got off to such a fantastic start. Now it all feels like a complete waste of time. What a letdown.

It's even more disappointing because Marco Checchetto's beautiful artwork has essentially gone to waste. His stunning work on Avenging Spider-Man #6 and The Punisher #10 featured some of the best representations of those characters I've seen in a long time, and his work in Daredevil #11 is equally impressive. How unfortunate then that the story doesn't matter at all.

Daredevil #11 is still a top book as far as production goes. The art absolutely sings and the script is witty like you'd expect from Waid. But the overall story and its failure to move the story along really brings this book down a  notch, significantly. I'm amazed Conor at iFanboy gave this the Pick of the Week. Maybe he gave it based on the overall quality of the three issues collected in this mini-event, which is fair enough I suppose. But for me this failed to deliver and was really disappointing in the end. Bring on Daredevil #12 next Wednesday when Waid's mission for DD gets back on track.

Rating: 3/5

Aquaman #8

Solid stuff yet again from Mr Johns and Mr Reis who are keeping Aquaman at those high levels they've established for the character ever since issue 1. It's been exciting to delve into Arthur's past over the last two issues, seeing what he was like before he became Aquaman. From what we've seen so far, he wasn't always so interested in being a hero - in fact there's a flashback in issue 8 where Aquaman refused to rescue innocent civilians in an attempt to keep up with the villain he was chasing. It took the rest of his group (the Others) to change his mind and get Arthur to help out, which he did begrudgingly. Aquaman's a bit of badass deep down we discover. There's also some tension between him and his wife Mera, who's been completely left in the dark concerning her husband's history with the Others, particularly the feisty (and scantily clad) Y'Wara. This rather funny moment occurred:

All in all Johns and Reis's Aquaman is as entertaining as ever and its great we're getting to find out more about his life before he became the superhero we know now. Top stuff.

Rating: 4/5 Pick of the Week

Thanks for reading!

New Comics - 18th April 2012

Apologies for not posting in such a long time. I've read a tonne of comics since my last post but haven't had much time for writing about them. Anyway we're back on track this week and it couldn't have come at a better time. This was one of my biggest weeks and saw a total of 7 books bought yesterday (Wednesday) including Batman #8, Nightwing #8, Justice League #8, Rocketeer Adventures #2, The Punisher #10, The Amazing Spider-Man #684 and finally Avengers vs X-Men #2. Lets get to the books!

Rocketeer Adventures #2

I'm a big fan of the Rocketeer. I remember watching the Disney movie years ago as a kid and enjoying it but I had no idea at the time it was based on a comic. Last year I stumbled across the The Rocketeer: The Complete Adventures thanks to the folks at iFanboy, who'd awarded it the Book of the Month award in April 2012. I purchased it immediately and fell in love with Dave Stevens's iconic character all over again. The timing couldn't have been better either, as around the time I bought that beautiful collection of Stevens's original Rocketeer adventures IDW released a series of Rocketeer issues produced by some of the top names in comics, each writing and illustrating their own short stories based around our hero Cliff Secord. I managed to pick up a couple of those issues last year and enjoyed them a lot. So you can probably guess I was happy to see the series picked up for a second run in 2012 and I loved issue 1 a few weeks ago. 

Issue 2 contains three short stories written by Tom Taylor, Paul Dini and Walter Simonsen with art by Colin Wilson, Bill Morrison and John Paul Leon, plus a gorgeous Cliff and Betty pin-up by J. Scott Campbell. Each story is under 10 pages long but there's enough there to make it worth your while. Out of the three stories featured in this issue my favourite was probably the last one, "Autograph" by Simonsen and John Paul Leon - it had everything a Rocketeer story should have. Overall I adore these Rocketeer Adventures and I can't wait for the Mark Waid mini-series in August. 

Rating: 5/5

The Amazing Spider-Man #684

Dan Slott is knocking it out of the park with every issue of The Amazing Spider-Man and issue 684 is no exception. The previous issue saw Spidey assemble the Avengers against the threat of Doctor Octopus and the Sinister Six but our heroes were soon overwhelmed by Doc Ock and his dastardly tactics, leaving Spider-Man helpless. However all is not lost as issue 684 sees Spidey receive some desperately needed assistance from Silver Sable as he escapes Ock's tentacled-clutches just in time. With the help of Black Widow (who managed to survive the Sinister Six's attack and got rescued by a stealthy Silver Sable), the three heroes team up to track down Ock before its too late. They run into trouble in the shape of Sandman who has the whole Sahara desert to call upon. Thus an epic battle ensues as Peter, with the help of his two lady friends, goes toe to toe with one of his oldest adversaries.

As per usual with Slott's writing, this was a lot of fun. The guy knows how to mix in just the right amount of action and humour to get the best results for his audience. It was also great to see Humberto Ramos back on art duties. The previous issue was pencilled by the talented Stefano Caselli but I'm a big fan of Ramos and his unique style so was pleased to see him return to the character he seems destined to have drawn. Overall I'm really enjoying this "Ends of the Earth" arc Slott has cooked up. It's very rare I read any Avengers stuff so to get that mixed in with my regular Spidey fix is an added bonus. More of the same from Mr Slott which is in no way a bad thing.

Rating: 4/5

Justice League #8

Something still isn't quite right with Justice League. I felt issue 7 took a big step forward but issue 8 seems like a step backwards, albeit a small one. I'm enjoying the fact we are now seeing the Justice League operate in "present day" continuity; no longer must we suffer more character introductions that take up entire issues. But Johns still hasn't got this book up to the high level most fans were expecting when DC relaunched their entire universe. This issue sees Green Arrow trying to force his way into contention for a spot on the JL roster. Its fun most of the time and Johns does an excellent job with the witty dialogue between Earth's greatest heroes but I still have issues with this book. To be honest I don't think its living up to my expectations and maybe that's my fault, maybe my expectations are just too high. This is DC's flagship book, the comic that represents their entire company and what they stand for. But for me, its just not hitting the high notes I want it to. It's the little things I'm struggling with. For example I really don't like how Johns writes Batman. One of my favourite characters ever and arguably DC's most popular hero is being written like an old man who can't keep up with the "cool kids" like Green Lantern. I like Hal Jordan and I appreciate a big part of his character is being cocky but I hate how nearly every wisecrack he makes is at Batman's expense and instead of Bruce coming back with a witty remark, he comes off as a grouchy old stick-in-the-mud. Its a running theme with Johns and I noticed it in Green Lantern: Rebirth as well. I agree Batman and Green Lantern should have a friendly rivalry going on, but a rivalry usually means there are two sides, which is not the case when it comes to Johns's Batman who is never given a chance to comeback at Hal.

Its not all negative in Justice League though. The double page spread by Ivan Reis featuring the Martian Manhunter in action against the Justice League was brilliant (see below) and his inclusion looks set to a very interesting story in the near future. The Shazam! backup story by Johns and Gary Frank (one of my favourite artists) was also a high point. I have no history at all with the character and I've enjoyed what I've seen so far. Another thing to look forward to? Jim Lee is back on art for issue 9. There is hope for this book yet...

Rating: 3/5

Nightwing #8

Just when I was beginning to doubt this book and think about ending my time with it, Kyle Higgins and Eddy Barrows go and produce possibly the best issue of the series. Tied in with the big Night of the Owls event that is affecting all the Bat family books at the moment, Nightwing #8 not only embraces the Owls mini-event but actually benefits enormously from it, which is rare amongst event tie-in books. The best part of this issue was undoubtedly the flashback to 1910 Gotham City where we see Dick Grayson's great grandfather William Cobb and how he wasn't always a blood thirsty Talon sent by the Court of Owls to murder Gotham's leaders. Couple that with Nightwing taking on and defeating one of the Court's assassins, this hit all the right notes with me.

Even if you only read Scott Snyder's Batman and have been hesitant to pick up some of the other Bat family books taken over by the Night of the Owls, I highly recommend getting Nightwing. And with the way issue 8 ended... well lets just say I can't wait for the next issue of Nightwing, and that's something I haven't said too often with this series. Excellent stuff from Higgins and Barrows.

Rating: 4/5

Avengers vs X-Men #2

After promising myself I wasn't going to invest in Marvel's big event of 2012, I naturally went out and purchased issue 1 of Avengers vs X-Men two weeks ago. I was going to wait it out, see if the reviews were generally positive and then pick up in trade format, which would work out cheaper than buying it in single issues. Well I couldn't help myself and the fact John Romita Jr, one of my favourite artists, is behind the pencils on this event was an added bonus, one that turned out to be too hard to resist.

After two issues I can safely say I'm really enjoying this. So far its been a pretty standard action-fest (although a lovely looking action fest) and that was to be expected but its being handled really well. The script is fast paced, like the action on page, and is both witty and direct. I reckon I'll keep going for a little bit longer as I'm intrigued to see how the X-Men, despite being devastatingly outnumbered, will react to this assault from the good-intentioned Avengers. I'll definitely pick up issue 3.

Rating: 4/5

The Punisher #10

I initially had some reservations when Marvel announced their mini crossover event The Omega Effect. I enjoy my monthly fix of Daredevil and I don't want the main story spoiled and interrupted with storylines from other books I don't buy. So when I found out Daredevil #11 would be used to tell the final chapter of the Omega Effect, well, you can understand my trepidation. Thankfully Marvel didn't overextend themselves and after a small amount of research I had no problem with picking up just two extra books, Avenging Spider-Man #6 and this, The Punisher #10. Well last week the Omega Effect kicked off in Avenging Spider-Man and it started out with a bang, a wonderful issue that hooked me into this story right away.

And of course, Punisher #10 keeps the ball rolling in the right direction. I had previously never read an issue of the Punisher. I'm somewhat familiar with the character but haven't ever gotten around to reading any of his own stories. Well that hasn't really changed because this issue, despite saying Punisher on the cover, is very Daredevil-centric and really revolves around Hornhead, and not Frank Castle and Spidey. Which of course makes the Daredevil fan in me very happy. Greg Rucka is the man behind the script and does a fantastic job, so much so that I'm tempted to stay on board with The Punisher and see what Rucka delivers every month. But Mark Waid, who has co-crafted this mini event with Rucka, deserves praise too because the entire story has been masterminded by the two of them. So far the Omega Effect has been a lot of fun to read, which is not what I expected when I picked up The Punisher. Rucka writes Spider-Man beautifully, his interactions with the serious Punisher have been hilarious. And don't forget the art. Oh, the art!

Marco Checchetto has been the artist on both Avenging Spider-Man and The Punisher, and will also wrap up the event in Daredevil #11. He has been in fine form and I love what he's done with these characters. I've seen some of Checchetto's work before in a couple of DD issues I bought last year (during Shadowland) and I came away impressed. But his efforts on The Omega Effect have been outstanding so far and I'm positive Daredevil #11 is going to look equally impressive. I love the way he draws Daredevil; so much detail is applied to his face and costume, like the red facial fuzz on Matt's chin and the sharp cut of his mask. Paulo Rivera is working wonders every month on Daredevil with his understated style but I have to admit I'm enjoying Checchetto's fine work here. Both artists have completely contrasting styles - Checchetto's look is much darker than Rivera's - but I am enjoying see Matt Murdock in this light; it makes a nice change.

Overall this has been a great event so far and the cliffhanger in The Punisher #10 has left me wanting more. Top stuff from everyone involved on the Omega Effect. On an ordinary week this would've been my Pick of the Week, without a doubt. But we're forgetting one more book...

Rating: 5/5

Batman #8

Wow, Bruce Wayne can't catch a break huh? After finally escaping from the Court of Owl's clutches and dragging his near-lifeless body back to Wayne Manor, the Court up their game with a full scale assault on Batman's home and of course, The Batcave. Writer Scott Snyder, whose talent for writing incredible stories seems to know no bounds, has crafted a masterpiece. Since DC initiated the New 52, Batman as consistently been the best comic on the shelves. I'm sorry, I know I don't read every book every month, but for me there is no equal to Snyder and Greg Capullo's Batman.

Snyder has done a fantastic job maintaining the fundamentals of Batman as the hero we all know and love whilst also making him vulnerable, a side we rarely see from Gotham's Dark Knight. With the Talons surrounding Bruce and Alfred throughout issue 8, Snyder brings the reader in, making us feel as chased and pursued as the characters on the page. Its truly horrifying stuff and its what Snyder is best at. As the Court's assassins close in for the kill, the feeling of panic rises within the reader yet Bruce remains calm and calculated, on the ball for everything the Talons have to throw at him. After finally coming to terms with the fact that he was wrong, that the Court of Owls have been under his nose the entire time, Bruce no longer seems so vulnerable but instead he is focused on the task at hand. You sense there'll be some serious ass kicking coming up in the near future.

We can't forget about Capullo's art though. As great as Snyder is with words, Capullo can match him with his pencils, which results in comic book perfection for the readers. It feels like he's getting better and better with every issue too. Just gorgeous stuff from the man. An honourable mention must go to American Vampire artist Rafael Albuquerque too, for his sublime work on the backup story in this issue.

Overall if you're not reading Batman at the moment, then what the hell is wrong with you? I implore all comic book fans to read this book. If you're not on board already, make sure you get the trade. It's just so good.

Rating: 5/5 Pick of the Week

Thanks for reading!

'Daredevil: Guardian Devil' Review

Regular readers here at Amongst The Panels are already aware of my love for the blind superhero Daredevil. If you didn't know that, well I just went and told you. Regardless, there are plenty of Daredevil books out there I haven't read yet. And, dare I admit this, there are a few I have been a bit hesitant about reading. Guardian Devil used to belong to that group. Why did I hold back? Well it wasn't because of the writer. I've been a fan of Kevin Smith since I was a young and impressionable teenager, when Clerks, Mallrats and Jay and Silent Bob were the funniest films around. I held back because I wasn't so sure I was going to enjoy Joe Quesada's art. First impressions did not impress. Quesada's style is all his own, that's for sure, but I was worried it'd be a bit too cartoony for my tastes.

Thankfully I ignored the pessimistic thoughts in my brain and purchased Guardian Devil based on the good reviews it's received since it's publication. Guardian Devil's inception came about when Marvel Knights relaunched Daredevil in 1998 after the character had been cancelled due to lacklustre sales in the previous years. Indie film sensation and soon-to-be Hollywood director Kevin Smith, a lifelong comics fan himself, was brought in to take ol' Hornhead in a brave new direction and he was partnered with artist Joe Quesada, who became Marvel's editor-in-chief shortly after Guardian Devil's publication. Together they were tasked to take Matt Murdock from obscurity and force him back into the spotlight. Guardian Devil contains issues #1-8 of Daredevil Volume 2 (because this was the relaunch, after the old Volume 1 was cancelled, remember?). I opted for the fancy 10th Anniversary hardcover edition, simply because it was quicker to get hold of than the trade paperback. My workplace had only one these lovely hardbacks left in the warehouse so I only had to wait a day to get it, rather than the 2-3 days it would have taken to get from Amazon (I'm impatient). Plus, if I can get it at a good price I'll always opt for a hardback over a paperback - I love my hardbacks.

Considering the book only contains 8 issues, Guardian Devil feels like its made up of a lot more. These are lonnnnng issues. That's solely down to Smith's script and the amount of words he manages to cram in. I know how this looks, like I'm complaining, right? Overly wordy comics can suffocate the life out of a story but Smith's script does not suffer from this. There may be lots of words but the quality is top notch and the plot benefits from Smith's attention to detail. However, I was concerned that the heavy Catholic angle I'd heard so much about would turn me off a bit. I needn't have worried because Smith works the religious aspects into the story beautifully and the overall feel of the book wouldn't have been as effective without it. All the reviews I'd read before purchasing Guardian Devil made it clear that this book simply had to be read because of the life changing events that occur within. Now unfortunately I knew going in what this "big event" was (click the link to see, but be aware it's a SPOILER - oh yeah, you should probably avoid looking at the photo below too!) but thankfully it still had the desired effect on me: powerful and traumatic. After finishing the book I could see that the events that take place in Guardian Devil really do go on to shape Matt Murdock's character. This is a character defining piece of work in every sense of the word. It is a tribute to Smith's quality that the writers who succeeded him constantly referred back to Guardian Devil as a source as to why Daredevil is who he is, and more importantly does what he does.

Smith's background in film is obvious throughout: he brings a cinematic quality to Guardian Devil and it quickly becomes clear that the 2003 Daredevil movie took a lot of influence from this book (Smith even had a cameo role in the film). Speaking of cinematic qualities, Quesada's impressive panels really brings Smith's script to life. Once I became accustomed to Quesada's unique style I began to appreciate his skills as an artist. Quesada definitely improves with each issue and by issue 8 he has everything nailed down perfectly. But... there's still something about his style I don't like. Maybe I should rephrase that. I do like Quesada's pencils but I don't love them, and to totally go mad about a book I need to love the writer's story and the artist's pencils. Everything needs to click for me to sing a book's praises to all my friends and unfortunately Quesada's artistic style prevents me from doing that for Guardian Devil. What is it I don't like? I think the body proportions look a bit odd at times, like the character's heads are slightly too big. And there's something about the way Quesada draws their eyes too. Its nit picking really, but everyone has their personal preferences and I'm quite picky when it comes to comic book art.

Overall, Quesada's art doesn't impact the quality of the book that much. It just prevents me from calling Guardian Devil perfect. Smith's story belongs up there with the best Miller, Bendis and Brubaker created in their day. The fallout from the book has had a profound impact on Daredevil stories ever since and there's no question that Guardian Devil is essential reading for all fans of Matt Murdock. It sees our hero go through a dark and painful journey only to emerge from the suffering and into a new millennium. Guardian Devil established the character for over a decade and has only recently been altered with Mark Waid's more upbeat tales. This book marked the beginning of a new era in Daredevil's history, one that equalled and arguably surpassed the heights Frank Miller set in the eighties. For that reason, Guardian Devil is a book no die-hard Daredevil fan can pass up.

Rating: 4/5

Thanks for reading.

New Comics - 28th March 2012

Apologies for not reviewing my purchases from last week. There were two reasons for this: 1) My haul last week was pretty big, with a lot to read, and 2) I went on holiday the day after I bought them and so didn't have access to the web to post my reviews. Sorry about that. Anyway, on to this week's books:

Aquaman #7

Issue 7 of Geoff Johns and Ivan Reis's run on Aquaman sees the beginning of a new arc involving a group called 'The Others' and we find our hero with some explaining to do. I always struggle to review issues that start with a new story arc, especially when Geoff Johns is behind the script because this is obviously going to be paced slowly, which isn't a bad thing, it just doesn't give us a lot to talk about in the first introductory issue. Aquaman #7 introduces us to 'The Others', a group of men and women (probably Atlanteans) who share some unknown relationship with Aquaman; all we seem to know is it looks like he used to belong to their team.

I don't really have much to say here. It was an enjoyable issue and Ivan Reis was incredible on art duties as he usually is. All I can say is I'm interested to see where this goes but I need a little bit more before I can judge it properly. As a single issue it was good but like I said, there's plenty more to come from Johns and Reis and I'm excited to see who 'The Others' really are and why Aquaman separated from them.

Rating: 3/5

Superman #7

Now this is what a Superman comic should be like. Superman #7 was twice as good as any of the previous 6 issues by George Perez and full praise goes to Dan Jurgens and Keith Giffen who co-wrote the plot. This book desperately need a new start and that's exactly what we got. Right from the start you could tell Giffen's script was going to deliver the goods: no longer do we have to suffer through those God-awful television reporters explaining every single detail because Giffen has produced a smart and witty inner monologue for Superman that is both enjoyable and interesting to read. I was surprised just how fun this was. It was a nice change to see Superman as an intellectual and his rapport with other characters was pitch perfect. Jurgens and Giffen have gotten of to a very good start and I'm eagerly anticipating issue 8.

My only nit-pick would be the art. From what I gather, the majority of the pencils were done by Jurgens but finished by Jesus Merino and it doesn't really produce the best results. The art is in no way bad - for the most part its well done and clear to follow. But for me its not the style of art a book like Superman deserves. I'd prefer a cleaner overall look to the pages and I think the fantastic Ivan Reis cover spoiled me slightly. I'd love an artist of Reis's calibre on Superman permanently. However that really is the only fault, and it is a minor one at that. Superman #7 was exactly the kind of issue this series needed and I hope Giffen and Jurgens can keep delivering quality like this every month.

Rating: 4/5

Avenging Spider-Man #5

This was my random choice from the shelves this week. I already buy Amazing Spider-Man every month so there's little room left in my life for two Spidey books. But having Leinil Francis Yu as a guest artist was enough to lure me in and it was a happy coincidence that Captain America featured heavily as well. I'd read issue 1 of this when it was released (bought it as a Christmas gift for my nephew) and enjoyed it quite a bit. I like the idea of Spidey teaming up with a different Marvel hero; it's like reading an Avengers book through Peter's eyes, which is great for me because my Avengers knowledge bank is rather limited so its nice to have Spider-Man there to guide me through it. 

Overall, Avenging Spider-Man #5 was good fun. Yu was his sublime best on art and Zeb Wells writes a great Spidey. The best part of this book is that I didn't have to have read any of the previous issues. It was easy to jump into and enjoy it for what it was and then have it wrapped up in a neat finish. I recommend checking it out if you want a fix of Peter Parker with some Avengers thrown in for good measure. I expect I'll pick up the next issue as #6 marks the start of a crossover featuring my Marvel favourite Daredevil, as well as the Punisher and Spidey (of course).

Rating: 4/5

Daredevil #10

Boy does it feel like a long time since issue 9! Along with Batman this is easily one of the most anticipated books for me, every single month. Mark Waid and Paulo Rivera, who've quickly become a Daredevil dream team, never fail to please. Issue 10 wraps up this two-issue arc featuring Mole Man, who has been stealing graves from a New York cemetery, including Daredevil's father Jack Murdock - yes, it gets personal for DD in this one. Without spoiling anything, Daredevil "saves the day" and resolves the problem, dispatching Mole Man in the end. I really liked where Waid took this; he turned a poor villain like Mole Man into a dangerous foe that forced Daredevil to get pretty nasty, about as nasty as he's gotten since they relaunched the character last year. There were moments in #10 that felt like we were seeing the Matt Murdock of old. I've really enjoyed the new direction Waid has taken the character since he took over, taking Matt back a bit to his 'swash-buckling' ways. But it was pretty awesome to see him get angry and ruthless like the old days, when he was at breaking point nearly every issue.

Even with Waid's brilliant script, this book wouldn't be the same without artist Paulo Rivera. Both of the creators need to share the credit because they really do work perfectly together. Rivera has produced another stunning issue here. His style lends itself beautifully to the character and ever since issue 1, Rivera has made Daredevil his own. Just look at that cover for proof. 

My favourite moment of issue 10 revolved around Daredevil getting home and reading Black Cat's letter. This little revelation was a really nice touch and solved some questions I've had ever since issue 8. I really hope Waid brings Black Cat back later on down the line; I'm a fan of the character and I like the idea of her as a love interest for Daredevil. It'd certainly make Matt's life interesting, that's for sure.

All in all, another sublime issue from a team establishing themselves as Daredevil legends. It doesn't get much better than this for a Daredevil fan like me.

Rating: 5/5 Pick of the Week

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'Wolverine: Enemy of the State' Review

Recently I've been trying my hardest to embrace the X-Men a bit more. They have always intrigued me but I've always held off for some reason. Sure, I liked the movies and I used to watch the cartoon on Saturday mornings as well. The majority of the characters are excellent but there's always been something I can't quite put my finger on to explain why I don't really like the X-Men as much as I probably should.

But I've tried to rectify that as of late. I bought and consumed Joss Whedon and John Cassasday's first volume of Astonishing X-Men in one sitting, such was the excellent quality of that book. Let's consider that as dipping my toe into the water: it was a start. However, the one guy from the X-Men that's always appealed to me most has probably been that little Canadian killing machine, Wolverine. I quickly looked up some reviews of his best stories focused squarely on him and a few jumped out at me as potential starting points. Frank Miller and Chris Claremont's tale of Logan in Japan definitely piqued my interest, as did a few others like Origin and Weapon X. But two titles in particular jumped out at me, both written by fellow Brit Mark Millar: Wolverine: Enemy of the State and Wolverine: Old Man Logan. So why did I go for Enemy of the State? It was the easier of the two to buy at the time, plus it was cheaper and I could get it right there and then instead of waiting for it in the post. In hindsight, Enemy of the State is probably not the best Wolverine book to read if you're just starting out with the character. But that wasn't a problem for me because despite having never read any of his books before, I already knew pretty much all there is to know about Logan. So even though Enemy of the State was my first Wolverine solo adventure, I didn't feel lost at any stage because his history has been talked about and discussed a lot in other books and especially the X-Men movies.

Before reading Enemy of the State, I already knew that this was going to be a book that didn't involve much character development. Thanks to reading some reviews before hand, I knew that Enemy of the State was going to be an action packed ride through the Marvel universe, where Logan faces off against friend and foe alike. Why is Wolverine trying to kill his friends you ask? Well I don't want to spoil too much of the story for you but lets just say that Logan gets a few of his wires crossed in that brain of his, thanks to some intervention from Hydra and the Hand. Thankfully, Millar's story delivers the goods because this involves one brutal, blood splattering fight after another. A word of warning to the squeamish: Wolverine gets violent in Enemy of the State, and he gets violent a lot. When Logan unleashes those claws of his there are consequences, involving the amputation of many enemy limbs. To make these fights that little bit more interesting, Millar gets Wolverine to face off against the best the Marvel Universe has, ranging from Elektra and Daredevil to the Fantastic Four. Even Captain America gets involved. At times Enemy of the State feels like a movie and I expect Millar probably had that in mind when he penned the original script. If you love action in your comics then look no further because Wolverine is at his brutal best here. I'll admit it's quite a spectacle.

Are there any cons to having so much action and so little plot? Well yes, there is. The fight scenes are expertly crafted by one of my favourite artists and Marvel legend John Romita Jr but even his expansive artwork can't make up for the distinct lack of story. I think it's finally dawned on me that I need a little bit more from my comics than non-stop action. I certainly understand the appeal and action-orientated comics definitely have a huge following, but nowadays I prefer a smart story over pages and pages of fight scenes and explosions. An example of this can be seen in DC's Justice League, which is full of beautiful Jim Lee splash pages but unfortunately lacks the dynamic plot to accompany them. This isn't really a knock on the writer because I really enjoy Mark Millar's work, and Enemy of the State is an entertaining comic book, no doubt about it. But in hindsight I probably shouldn't have opted for the one Wolverine book the majority of reviewers called "action-packed". However, I knew this going in to Enemy of the State, so what exactly did I expect? Now I realise and appreciate that a book focused solely on the fighting rather than the plot probably isn't going to sway me to call that book 'great', and that it'll more than likely settle for being simply 'good'. Wolverine: Enemy of the State is the latter. It would still make a good Wolverine film though...

Are there any more problems? Unfortunately, and it breaks my heart to admit it, but Romita Jr's pencils on Enemy of the State are not his best. I don't think it's entirely his fault though, because I think legendary inker Klaus Janson and Paul Mounts on colours need to share some of the blame. The problem is, and it happens quite often with such action-orientated books, with all that chaos happening on the page some of the details get lost amongst the blood, fire and explosions. Romita Jr's pencils suffer as a result; it feels like there's no space sometimes and some of his work gets very messy when Wolverine is thrashing around with multiple bad guys (especially when he's fighting ninjas). Now add to that Janson's distinctive thick lines and Mounts's dark colours, and the overall look of the book suffers. There is still some great work in here and Romita Jr excels when he's given splash pages. But overall Enemy of the State doesn't reach the levels of Romita Jr I am used to, and doesn't compare with his brilliant work on Daredevil: The Man Without Fear and J. Michael Straczynski's Amazing Spider-Man run.

Despite my negativity this is still a fun book and well worth checking out. Wolverine fans will love it but I think, for me, there are other books out there featuring the crazy Canuck that will suit me better. I'm sure this isn't the last I've seen of Logan...

Amongst The Panels rating: 3/5

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'Daredevil: Bendis & Maleev Ultimate Collection Vol.1' Review

Let's get this out of the way early: Daredevil is one of my favourite comic book characters and easily my favourite Marvel hero. Spidey used to lay claim to that crown but as I got older Daredevil took over. So we're dealing with one of "my guys" here in this review. He wasn't always at the top though. In fact there was a time, not so long ago actually, that I barely had Daredevil on my radar. I knew of the character but had never read any of his books and honestly, I thought what could possibly be so interesting about a blind superhero? But I had heard such good things, especially from my friend Simon, so I decided to give DD a try one day. My love affair with ol' Hornhead started with the incredible Daredevil Yellow by Jeph Loeb and Tim Sale, which is still one of my favourite graphic novels I own. Yellow got me hooked; I needed more and thankfully there was plenty of good Daredevil stories out there to discover. After Yellow I hit the classics, starting with Frank Miller's Born Again and The Man Without Fear before getting on to Miller's first work on the character with his defining run on DD from the early eighties. That was it, Daredevil had me for good, but I knew there were more stories waiting for me. It turns out I hadn't even scratched the surface because I hadn't gotten to Brian Michael Bendis's mammoth works yet. So I took the plunge and ordered Bendis and Alex Maleev's Ultimate Collection Volume 1, containing issues #16-19 and #26-40. After reading and savouring every glorious page, I can safely say I've left the best until last. This book, for me, is Daredevil at his darkest and grittiest peak.

The book's first few issues are pencilled, or rather painted, by artist David Mack and look stunning, really taking advantage of the comic book medium. Mack's brush strokes succeed in putting the reader right into the head of Ben Urich, the reporter the first arc is based around. Its a wonderful way for the book to begin but its not long until we get into the meat of the book when Bendis combines with Maleev in issue 26. Maleev's pencils are absolutely perfect for the world Bendis has built for Daredevil. I was a little worried that Maleev's style wouldn't do it for me; I was concerned his art might be a bit messy, a style I'm usually not a fan of. Naturally Maleev put any of my concerns to rest because despite his pencils being a bit rough, they are perfectly suited for the nature of the story and any other style would be wrong. The tone set by Bendis's script demands a certain roughness so Maleev's scratchy pencils work perfectly. More refined, cleaner pencils wouldn't complement Bendis's script half as well as Maleev's do. This book is the total opposite to the Daredevil I read every month by Mark Waid; this volume is from a time when it wasn't much fun to be Matt Murdock. However that's not a bad thing, not in the slightest, because this book is still incredibly enjoyable. There's a lot to love here.

Why do I love this book so much? Well it starts and finishes with Bendis's writing. I'll be honest and admit I haven't really read much of the man's work. I enjoyed some of his stuff in Ultimate Spider-Man in the past but I recently read some of his work in New Avengers Volume 1 and I hated it. So despite hearing so many good things about this book, I was a little hesitant that Bendis wouldn't hit the high notes set by Miller in the previous DD books I'd read. Luckily I had absolutely no need to worry because Bendis didn't disappoint; he excelled and exceeded my expectations. I now understand why Bendis is held in such high regard when it comes to Daredevil because its obvious he gets this character completely. More importantly Bendis succeeds in placing Matt, as well as the reader, in the nightmarish environment of Hell's Kitchen, New York City. And its never felt more menacing thanks to Bendis, as Maleev is given full freedom to create pages where you can practically smell the stench of crime wafting off the page. Daredevil's world reeks of evil and darkness and thanks to Bendis and Maleev you really feel like you're right there in Matt's world, like a fly on a filthy wall. Another area Bendis excels in is filling in the back-story. Superhero comics can suffer when the attention isn't focused on the primary character but that's not the case here. Some of the best scenes occur when Daredevil isn't around. From gangsters scheming in their underworld hideouts to the FBI's NYC offices, Bendis keeps the story interesting even when Daredevil isn't directly involved, something rarely pulled off so well.

Overall I'm so relieved that this book succeeded in living up to my expectations. I was really looking forward to reading this volume and desperately hoped it would be as good as I'd heard. Thank God it was. Bendis and Maleev have struck comic book gold here and I'm so lucky because I have two more volumes of their work still to read (once I buy them). My only problem with this volume is I wish I hadn't waited so long to get it! This had been on my Amazon wishlist ever since I first got interested in the character but it took me a while before I snapped and bought it. Thankfully it was worth the wait. If you like Daredevil and crime/noir stories, then this is the book for you. Bendis and Maleev are recognised as being right up there with Frank Miller as Daredevil's top creators and its easy to see why after reading this. A must-read for all fans of Matt Murdock. I cannot wait to get hold of the next volume.

Amongst The Panels rating: 5/5

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