'Daredevil: Guardian Devil' Review

Regular readers here at Amongst The Panels are already aware of my love for the blind superhero Daredevil. If you didn't know that, well I just went and told you. Regardless, there are plenty of Daredevil books out there I haven't read yet. And, dare I admit this, there are a few I have been a bit hesitant about reading. Guardian Devil used to belong to that group. Why did I hold back? Well it wasn't because of the writer. I've been a fan of Kevin Smith since I was a young and impressionable teenager, when Clerks, Mallrats and Jay and Silent Bob were the funniest films around. I held back because I wasn't so sure I was going to enjoy Joe Quesada's art. First impressions did not impress. Quesada's style is all his own, that's for sure, but I was worried it'd be a bit too cartoony for my tastes.

Thankfully I ignored the pessimistic thoughts in my brain and purchased Guardian Devil based on the good reviews it's received since it's publication. Guardian Devil's inception came about when Marvel Knights relaunched Daredevil in 1998 after the character had been cancelled due to lacklustre sales in the previous years. Indie film sensation and soon-to-be Hollywood director Kevin Smith, a lifelong comics fan himself, was brought in to take ol' Hornhead in a brave new direction and he was partnered with artist Joe Quesada, who became Marvel's editor-in-chief shortly after Guardian Devil's publication. Together they were tasked to take Matt Murdock from obscurity and force him back into the spotlight. Guardian Devil contains issues #1-8 of Daredevil Volume 2 (because this was the relaunch, after the old Volume 1 was cancelled, remember?). I opted for the fancy 10th Anniversary hardcover edition, simply because it was quicker to get hold of than the trade paperback. My workplace had only one these lovely hardbacks left in the warehouse so I only had to wait a day to get it, rather than the 2-3 days it would have taken to get from Amazon (I'm impatient). Plus, if I can get it at a good price I'll always opt for a hardback over a paperback - I love my hardbacks.

Considering the book only contains 8 issues, Guardian Devil feels like its made up of a lot more. These are lonnnnng issues. That's solely down to Smith's script and the amount of words he manages to cram in. I know how this looks, like I'm complaining, right? Overly wordy comics can suffocate the life out of a story but Smith's script does not suffer from this. There may be lots of words but the quality is top notch and the plot benefits from Smith's attention to detail. However, I was concerned that the heavy Catholic angle I'd heard so much about would turn me off a bit. I needn't have worried because Smith works the religious aspects into the story beautifully and the overall feel of the book wouldn't have been as effective without it. All the reviews I'd read before purchasing Guardian Devil made it clear that this book simply had to be read because of the life changing events that occur within. Now unfortunately I knew going in what this "big event" was (click the link to see, but be aware it's a SPOILER - oh yeah, you should probably avoid looking at the photo below too!) but thankfully it still had the desired effect on me: powerful and traumatic. After finishing the book I could see that the events that take place in Guardian Devil really do go on to shape Matt Murdock's character. This is a character defining piece of work in every sense of the word. It is a tribute to Smith's quality that the writers who succeeded him constantly referred back to Guardian Devil as a source as to why Daredevil is who he is, and more importantly does what he does.

Smith's background in film is obvious throughout: he brings a cinematic quality to Guardian Devil and it quickly becomes clear that the 2003 Daredevil movie took a lot of influence from this book (Smith even had a cameo role in the film). Speaking of cinematic qualities, Quesada's impressive panels really brings Smith's script to life. Once I became accustomed to Quesada's unique style I began to appreciate his skills as an artist. Quesada definitely improves with each issue and by issue 8 he has everything nailed down perfectly. But... there's still something about his style I don't like. Maybe I should rephrase that. I do like Quesada's pencils but I don't love them, and to totally go mad about a book I need to love the writer's story and the artist's pencils. Everything needs to click for me to sing a book's praises to all my friends and unfortunately Quesada's artistic style prevents me from doing that for Guardian Devil. What is it I don't like? I think the body proportions look a bit odd at times, like the character's heads are slightly too big. And there's something about the way Quesada draws their eyes too. Its nit picking really, but everyone has their personal preferences and I'm quite picky when it comes to comic book art.

Overall, Quesada's art doesn't impact the quality of the book that much. It just prevents me from calling Guardian Devil perfect. Smith's story belongs up there with the best Miller, Bendis and Brubaker created in their day. The fallout from the book has had a profound impact on Daredevil stories ever since and there's no question that Guardian Devil is essential reading for all fans of Matt Murdock. It sees our hero go through a dark and painful journey only to emerge from the suffering and into a new millennium. Guardian Devil established the character for over a decade and has only recently been altered with Mark Waid's more upbeat tales. This book marked the beginning of a new era in Daredevil's history, one that equalled and arguably surpassed the heights Frank Miller set in the eighties. For that reason, Guardian Devil is a book no die-hard Daredevil fan can pass up.

Rating: 4/5

Thanks for reading.

New Comics - 28th March 2012

Apologies for not reviewing my purchases from last week. There were two reasons for this: 1) My haul last week was pretty big, with a lot to read, and 2) I went on holiday the day after I bought them and so didn't have access to the web to post my reviews. Sorry about that. Anyway, on to this week's books:

Aquaman #7

Issue 7 of Geoff Johns and Ivan Reis's run on Aquaman sees the beginning of a new arc involving a group called 'The Others' and we find our hero with some explaining to do. I always struggle to review issues that start with a new story arc, especially when Geoff Johns is behind the script because this is obviously going to be paced slowly, which isn't a bad thing, it just doesn't give us a lot to talk about in the first introductory issue. Aquaman #7 introduces us to 'The Others', a group of men and women (probably Atlanteans) who share some unknown relationship with Aquaman; all we seem to know is it looks like he used to belong to their team.

I don't really have much to say here. It was an enjoyable issue and Ivan Reis was incredible on art duties as he usually is. All I can say is I'm interested to see where this goes but I need a little bit more before I can judge it properly. As a single issue it was good but like I said, there's plenty more to come from Johns and Reis and I'm excited to see who 'The Others' really are and why Aquaman separated from them.

Rating: 3/5

Superman #7

Now this is what a Superman comic should be like. Superman #7 was twice as good as any of the previous 6 issues by George Perez and full praise goes to Dan Jurgens and Keith Giffen who co-wrote the plot. This book desperately need a new start and that's exactly what we got. Right from the start you could tell Giffen's script was going to deliver the goods: no longer do we have to suffer through those God-awful television reporters explaining every single detail because Giffen has produced a smart and witty inner monologue for Superman that is both enjoyable and interesting to read. I was surprised just how fun this was. It was a nice change to see Superman as an intellectual and his rapport with other characters was pitch perfect. Jurgens and Giffen have gotten of to a very good start and I'm eagerly anticipating issue 8.

My only nit-pick would be the art. From what I gather, the majority of the pencils were done by Jurgens but finished by Jesus Merino and it doesn't really produce the best results. The art is in no way bad - for the most part its well done and clear to follow. But for me its not the style of art a book like Superman deserves. I'd prefer a cleaner overall look to the pages and I think the fantastic Ivan Reis cover spoiled me slightly. I'd love an artist of Reis's calibre on Superman permanently. However that really is the only fault, and it is a minor one at that. Superman #7 was exactly the kind of issue this series needed and I hope Giffen and Jurgens can keep delivering quality like this every month.

Rating: 4/5

Avenging Spider-Man #5

This was my random choice from the shelves this week. I already buy Amazing Spider-Man every month so there's little room left in my life for two Spidey books. But having Leinil Francis Yu as a guest artist was enough to lure me in and it was a happy coincidence that Captain America featured heavily as well. I'd read issue 1 of this when it was released (bought it as a Christmas gift for my nephew) and enjoyed it quite a bit. I like the idea of Spidey teaming up with a different Marvel hero; it's like reading an Avengers book through Peter's eyes, which is great for me because my Avengers knowledge bank is rather limited so its nice to have Spider-Man there to guide me through it. 

Overall, Avenging Spider-Man #5 was good fun. Yu was his sublime best on art and Zeb Wells writes a great Spidey. The best part of this book is that I didn't have to have read any of the previous issues. It was easy to jump into and enjoy it for what it was and then have it wrapped up in a neat finish. I recommend checking it out if you want a fix of Peter Parker with some Avengers thrown in for good measure. I expect I'll pick up the next issue as #6 marks the start of a crossover featuring my Marvel favourite Daredevil, as well as the Punisher and Spidey (of course).

Rating: 4/5

Daredevil #10

Boy does it feel like a long time since issue 9! Along with Batman this is easily one of the most anticipated books for me, every single month. Mark Waid and Paulo Rivera, who've quickly become a Daredevil dream team, never fail to please. Issue 10 wraps up this two-issue arc featuring Mole Man, who has been stealing graves from a New York cemetery, including Daredevil's father Jack Murdock - yes, it gets personal for DD in this one. Without spoiling anything, Daredevil "saves the day" and resolves the problem, dispatching Mole Man in the end. I really liked where Waid took this; he turned a poor villain like Mole Man into a dangerous foe that forced Daredevil to get pretty nasty, about as nasty as he's gotten since they relaunched the character last year. There were moments in #10 that felt like we were seeing the Matt Murdock of old. I've really enjoyed the new direction Waid has taken the character since he took over, taking Matt back a bit to his 'swash-buckling' ways. But it was pretty awesome to see him get angry and ruthless like the old days, when he was at breaking point nearly every issue.

Even with Waid's brilliant script, this book wouldn't be the same without artist Paulo Rivera. Both of the creators need to share the credit because they really do work perfectly together. Rivera has produced another stunning issue here. His style lends itself beautifully to the character and ever since issue 1, Rivera has made Daredevil his own. Just look at that cover for proof. 

My favourite moment of issue 10 revolved around Daredevil getting home and reading Black Cat's letter. This little revelation was a really nice touch and solved some questions I've had ever since issue 8. I really hope Waid brings Black Cat back later on down the line; I'm a fan of the character and I like the idea of her as a love interest for Daredevil. It'd certainly make Matt's life interesting, that's for sure.

All in all, another sublime issue from a team establishing themselves as Daredevil legends. It doesn't get much better than this for a Daredevil fan like me.

Rating: 5/5 Pick of the Week

Thanks for reading.

'Wolverine: Enemy of the State' Review

Recently I've been trying my hardest to embrace the X-Men a bit more. They have always intrigued me but I've always held off for some reason. Sure, I liked the movies and I used to watch the cartoon on Saturday mornings as well. The majority of the characters are excellent but there's always been something I can't quite put my finger on to explain why I don't really like the X-Men as much as I probably should.

But I've tried to rectify that as of late. I bought and consumed Joss Whedon and John Cassasday's first volume of Astonishing X-Men in one sitting, such was the excellent quality of that book. Let's consider that as dipping my toe into the water: it was a start. However, the one guy from the X-Men that's always appealed to me most has probably been that little Canadian killing machine, Wolverine. I quickly looked up some reviews of his best stories focused squarely on him and a few jumped out at me as potential starting points. Frank Miller and Chris Claremont's tale of Logan in Japan definitely piqued my interest, as did a few others like Origin and Weapon X. But two titles in particular jumped out at me, both written by fellow Brit Mark Millar: Wolverine: Enemy of the State and Wolverine: Old Man Logan. So why did I go for Enemy of the State? It was the easier of the two to buy at the time, plus it was cheaper and I could get it right there and then instead of waiting for it in the post. In hindsight, Enemy of the State is probably not the best Wolverine book to read if you're just starting out with the character. But that wasn't a problem for me because despite having never read any of his books before, I already knew pretty much all there is to know about Logan. So even though Enemy of the State was my first Wolverine solo adventure, I didn't feel lost at any stage because his history has been talked about and discussed a lot in other books and especially the X-Men movies.

Before reading Enemy of the State, I already knew that this was going to be a book that didn't involve much character development. Thanks to reading some reviews before hand, I knew that Enemy of the State was going to be an action packed ride through the Marvel universe, where Logan faces off against friend and foe alike. Why is Wolverine trying to kill his friends you ask? Well I don't want to spoil too much of the story for you but lets just say that Logan gets a few of his wires crossed in that brain of his, thanks to some intervention from Hydra and the Hand. Thankfully, Millar's story delivers the goods because this involves one brutal, blood splattering fight after another. A word of warning to the squeamish: Wolverine gets violent in Enemy of the State, and he gets violent a lot. When Logan unleashes those claws of his there are consequences, involving the amputation of many enemy limbs. To make these fights that little bit more interesting, Millar gets Wolverine to face off against the best the Marvel Universe has, ranging from Elektra and Daredevil to the Fantastic Four. Even Captain America gets involved. At times Enemy of the State feels like a movie and I expect Millar probably had that in mind when he penned the original script. If you love action in your comics then look no further because Wolverine is at his brutal best here. I'll admit it's quite a spectacle.

Are there any cons to having so much action and so little plot? Well yes, there is. The fight scenes are expertly crafted by one of my favourite artists and Marvel legend John Romita Jr but even his expansive artwork can't make up for the distinct lack of story. I think it's finally dawned on me that I need a little bit more from my comics than non-stop action. I certainly understand the appeal and action-orientated comics definitely have a huge following, but nowadays I prefer a smart story over pages and pages of fight scenes and explosions. An example of this can be seen in DC's Justice League, which is full of beautiful Jim Lee splash pages but unfortunately lacks the dynamic plot to accompany them. This isn't really a knock on the writer because I really enjoy Mark Millar's work, and Enemy of the State is an entertaining comic book, no doubt about it. But in hindsight I probably shouldn't have opted for the one Wolverine book the majority of reviewers called "action-packed". However, I knew this going in to Enemy of the State, so what exactly did I expect? Now I realise and appreciate that a book focused solely on the fighting rather than the plot probably isn't going to sway me to call that book 'great', and that it'll more than likely settle for being simply 'good'. Wolverine: Enemy of the State is the latter. It would still make a good Wolverine film though...

Are there any more problems? Unfortunately, and it breaks my heart to admit it, but Romita Jr's pencils on Enemy of the State are not his best. I don't think it's entirely his fault though, because I think legendary inker Klaus Janson and Paul Mounts on colours need to share some of the blame. The problem is, and it happens quite often with such action-orientated books, with all that chaos happening on the page some of the details get lost amongst the blood, fire and explosions. Romita Jr's pencils suffer as a result; it feels like there's no space sometimes and some of his work gets very messy when Wolverine is thrashing around with multiple bad guys (especially when he's fighting ninjas). Now add to that Janson's distinctive thick lines and Mounts's dark colours, and the overall look of the book suffers. There is still some great work in here and Romita Jr excels when he's given splash pages. But overall Enemy of the State doesn't reach the levels of Romita Jr I am used to, and doesn't compare with his brilliant work on Daredevil: The Man Without Fear and J. Michael Straczynski's Amazing Spider-Man run.

Despite my negativity this is still a fun book and well worth checking out. Wolverine fans will love it but I think, for me, there are other books out there featuring the crazy Canuck that will suit me better. I'm sure this isn't the last I've seen of Logan...

Amongst The Panels rating: 3/5

Thanks for reading.

'Daredevil: Bendis & Maleev Ultimate Collection Vol.1' Review

Let's get this out of the way early: Daredevil is one of my favourite comic book characters and easily my favourite Marvel hero. Spidey used to lay claim to that crown but as I got older Daredevil took over. So we're dealing with one of "my guys" here in this review. He wasn't always at the top though. In fact there was a time, not so long ago actually, that I barely had Daredevil on my radar. I knew of the character but had never read any of his books and honestly, I thought what could possibly be so interesting about a blind superhero? But I had heard such good things, especially from my friend Simon, so I decided to give DD a try one day. My love affair with ol' Hornhead started with the incredible Daredevil Yellow by Jeph Loeb and Tim Sale, which is still one of my favourite graphic novels I own. Yellow got me hooked; I needed more and thankfully there was plenty of good Daredevil stories out there to discover. After Yellow I hit the classics, starting with Frank Miller's Born Again and The Man Without Fear before getting on to Miller's first work on the character with his defining run on DD from the early eighties. That was it, Daredevil had me for good, but I knew there were more stories waiting for me. It turns out I hadn't even scratched the surface because I hadn't gotten to Brian Michael Bendis's mammoth works yet. So I took the plunge and ordered Bendis and Alex Maleev's Ultimate Collection Volume 1, containing issues #16-19 and #26-40. After reading and savouring every glorious page, I can safely say I've left the best until last. This book, for me, is Daredevil at his darkest and grittiest peak.

The book's first few issues are pencilled, or rather painted, by artist David Mack and look stunning, really taking advantage of the comic book medium. Mack's brush strokes succeed in putting the reader right into the head of Ben Urich, the reporter the first arc is based around. Its a wonderful way for the book to begin but its not long until we get into the meat of the book when Bendis combines with Maleev in issue 26. Maleev's pencils are absolutely perfect for the world Bendis has built for Daredevil. I was a little worried that Maleev's style wouldn't do it for me; I was concerned his art might be a bit messy, a style I'm usually not a fan of. Naturally Maleev put any of my concerns to rest because despite his pencils being a bit rough, they are perfectly suited for the nature of the story and any other style would be wrong. The tone set by Bendis's script demands a certain roughness so Maleev's scratchy pencils work perfectly. More refined, cleaner pencils wouldn't complement Bendis's script half as well as Maleev's do. This book is the total opposite to the Daredevil I read every month by Mark Waid; this volume is from a time when it wasn't much fun to be Matt Murdock. However that's not a bad thing, not in the slightest, because this book is still incredibly enjoyable. There's a lot to love here.

Why do I love this book so much? Well it starts and finishes with Bendis's writing. I'll be honest and admit I haven't really read much of the man's work. I enjoyed some of his stuff in Ultimate Spider-Man in the past but I recently read some of his work in New Avengers Volume 1 and I hated it. So despite hearing so many good things about this book, I was a little hesitant that Bendis wouldn't hit the high notes set by Miller in the previous DD books I'd read. Luckily I had absolutely no need to worry because Bendis didn't disappoint; he excelled and exceeded my expectations. I now understand why Bendis is held in such high regard when it comes to Daredevil because its obvious he gets this character completely. More importantly Bendis succeeds in placing Matt, as well as the reader, in the nightmarish environment of Hell's Kitchen, New York City. And its never felt more menacing thanks to Bendis, as Maleev is given full freedom to create pages where you can practically smell the stench of crime wafting off the page. Daredevil's world reeks of evil and darkness and thanks to Bendis and Maleev you really feel like you're right there in Matt's world, like a fly on a filthy wall. Another area Bendis excels in is filling in the back-story. Superhero comics can suffer when the attention isn't focused on the primary character but that's not the case here. Some of the best scenes occur when Daredevil isn't around. From gangsters scheming in their underworld hideouts to the FBI's NYC offices, Bendis keeps the story interesting even when Daredevil isn't directly involved, something rarely pulled off so well.

Overall I'm so relieved that this book succeeded in living up to my expectations. I was really looking forward to reading this volume and desperately hoped it would be as good as I'd heard. Thank God it was. Bendis and Maleev have struck comic book gold here and I'm so lucky because I have two more volumes of their work still to read (once I buy them). My only problem with this volume is I wish I hadn't waited so long to get it! This had been on my Amazon wishlist ever since I first got interested in the character but it took me a while before I snapped and bought it. Thankfully it was worth the wait. If you like Daredevil and crime/noir stories, then this is the book for you. Bendis and Maleev are recognised as being right up there with Frank Miller as Daredevil's top creators and its easy to see why after reading this. A must-read for all fans of Matt Murdock. I cannot wait to get hold of the next volume.

Amongst The Panels rating: 5/5

Thanks for reading.

New Comics - 29th February 2012

Two books for me this week. I nearly bought a few more but decided to be resilient and not buckle and settled for my usual books: The Amazing Spider-Man #680 and Justice League #6. On to the reviews:

Justice League #6

So the first arc of DC's flagship title Justice League is finally over. It's been a good run but there's definitely been something missing to make it the amazing series we were all expecting. The art by Jim Lee was superb (of course) but Geoff Johns's story felt bit underwhelming in the end. Issue 6 saw DC's finest pull together to send Darkseid back to whence he came and transform them from vigilantes into role models in a single fight. But this issue definitely lacked the resolution I wanted. Darkseid wasn't defeated, he was just sent back through his portal, which kind of sucked as an ending in my opinion - maybe I was looking for a more definitive finale. Jim Lee's work on the action scenes were terrific though. When Wonder Woman and Aquaman went for Darkseid's eyes, those characters have never looked so good.

Altogether, the first 6 issues of Justice League have been okay but they haven't been great. Now normally I'm alright with okay from my comics, but from the leading title in DC's New 52 relaunch I expected a little more. I think these issues will probably read better in trade format, instead of 6 week gaps inbetween issues. Also, maybe now the team has been established some real stories can be told and the characters can begin to develop, and the team come together properly. I really liked the scene with Superman breaking free (with help from Batman) from Darkseid's minions to join in the fight - he finally got some attention in this book. It felt like despite being DC's most recognisable icon and de-facto leader of the Justic League, he was barely used in these 6 issues, and we had to endure a lot of Johns's personal favourite Green Lantern instead (not necessarily bad).

Overall, Justice League was just okay when it really needed to be great. I'll still be buying this but in the future I'd like a little bit more story because most of these issues felt like a Jim Lee art exhibition. That's not all bad but I want some reading material in my comics from time to time too.

Rating: 3/5

The Amazing Spider-Man #680

Wow. This was a lot better than I thought it was going to be. Slott's run on ASM has been a lot of fun and pretty silly most of the time but when I saw that Spidey was gonna be in space, my first thought was "Oh God, please don't go down a really stupid road with this." It turns out I had no need to be worried because issue 680 was really, really fun.

The main reason issue 680 was so enjoyable is purely down to the fantastic writers. Yost and Slott are on fire here, especially during the scenes between Peter and Johnny Storm. In the past, some of my favourite Spider-Man stories have featured the Human Torch (which ones you say? Ultimate Spider-Man #69 and Spider-Man, Human Torch #5, coincidentally written by Slott). It's all about the witty dialogue, the constant back and forth bickering between Peter and Johnny. Their squabbles really make the issue a joy to read and I was actually laughing out loud on same pages. Fantastic writing and the book benefits immensely when the writers understand their characters completely. The art by Giuseppe Camuncoli was good, but nothing to write home about; it was solid stuff and better than Camuncoli's last issue on ASM (#675).

If you've been wanting to read some Spider-Man but have been hesitant to jump on because of his enormous history, fear not because issue 680 is the perfect issue to get back into the world of Spidey. It's a brand new arc and #680 has been the most enjoyable issue I've read since Spider-Island concluded. It's well worth trying out.

Rating: 4/5

Thanks for reading.