New Comics - 25th April 2012

Four books this week. Wasting no time, lets get to them:

Superman #8

Issue 7 of Superman saw the new creators Keith Giffen and Dan Jurgens get off to an impressive start but unfortunately Superman #8 couldn't keep up the pace and felt slightly flat overall. To put it bluntly, this was a mediocre comic at best and failed to satisfy across the board. What's more disappointing is the fact issue 8 could not sustain and carry on the good vibes from Superman #7. What went wrong?

Well Giffen and Jurgens wrapped things up, which is good, but they did it in an unsatisfactory way. Superman has a bad dream, finds out Helspont was trying to control his mind with a face-sucking creature, they fight, Helspont disappears and that's it, story over. As I reached the half way point in this book the words started to roll over me and I had pretty much made up my mind by then. Helspont went on and on explaining why he was there and why he needed Superman blah blah blah. I'd given up caring by then because Helspont's diatribe felt like it was never going to end. It quickly became a boring read, simple as that. The art wasn't much better either. Jurgens, with Jesus Merino finishing his pencils, was inconsistent throughout. Superman's face seemed to change repeatedly and it all felt a bit of mess overall.

I'm seriously thinking about removing Superman from my monthly pull-list. I'm getting really tired of dishing out money for sub-par comics and if Superman all of a sudden becomes the hot book in the comics world, well then I can just pick it up in trade. I might give it one more issue to redeem itself, but at the moment one of my favourite superheroes in the DC universe is on a very tight leash.

Rating: 2/5

Supercrooks #2

I picked up the first issue of Supercrooks two weeks ago for two reasons. 1) Mark Millar is the writer, and I won't go so far to say I'm a fan but I have enjoyed a lot of his work (Superman: Red Son, Kick-Ass, Civil War) and 2) Leinil Yu is on art duties and I will admit to being a big fan of his (Superman: Birthright, Superior). Issue 1 was great and I really like the concept of following the villains instead of the heroes for once. Millar succeeds in making us feel for these criminals and help us understand why they live a life of crime instead of leading normal lives.

Issue 2 continues where the debut issue left off, as ex-con Johnny Bolt resumes his pursuit of putting together his old team for one last big job to help their old mentor who's fallen into a lot of trouble of late. Millar excels as a writer when he isn't being restricted by the strict rules Marvel and DC have concerning their characters, especially the sort of language those characters can use. In Millarworld, where the creator has the freedom to do exactly what he wants, these characters come to life in a somewhat more realistic manner than they would in a Big Two book. For the tone that this book is trying to set, having the characters talk to each other like real human beings is an absolute necessity and Supercrooks benefits from it enormously. Combine this with Yu's flawless art style and you've got a pretty good book in your hands. Yu is at the top of his game here - his distinctive style flourishes throughout.

Overall this is a fun book and I'm really enjoying the direction Millar and Yu are taking this. Keep it up good sirs.

Rating: 4/5

Daredevil #11

Daredevil #11 featured the final part in the three issue mini-event "The Omega Effect" and concluded the story that began in Avenging Spider-Man #6 and Punisher #10. Unfortunately this really didn't live up to my expectations at all and ended in a really unsatisfactory fashion.

The first two parts to the Omega Effect were fantastic. Mark Waid and Greg Rucka's electric script was terrific in Avenging Spidey and Punisher so my hopes were high for the final part, plus it was all going to be wrapped in up in my favourite book featuring my favourite character. What could go wrong? After finishing this issue, it turns out we are exactly where we started before the Omega Effect began. Seriously, exactly. Nothing has changed, especially not for Daredevil and Spider-Man. Only the Punisher's world has been altered slightly. Daredevil had the mega hard-drive with all the data on the big baddies at the start of this crossover and he finished with it too. This was such an underwhelming ending, the Omega Effect might as well not have happened. Its a real shame too because this crossover got off to such a fantastic start. Now it all feels like a complete waste of time. What a letdown.

It's even more disappointing because Marco Checchetto's beautiful artwork has essentially gone to waste. His stunning work on Avenging Spider-Man #6 and The Punisher #10 featured some of the best representations of those characters I've seen in a long time, and his work in Daredevil #11 is equally impressive. How unfortunate then that the story doesn't matter at all.

Daredevil #11 is still a top book as far as production goes. The art absolutely sings and the script is witty like you'd expect from Waid. But the overall story and its failure to move the story along really brings this book down a  notch, significantly. I'm amazed Conor at iFanboy gave this the Pick of the Week. Maybe he gave it based on the overall quality of the three issues collected in this mini-event, which is fair enough I suppose. But for me this failed to deliver and was really disappointing in the end. Bring on Daredevil #12 next Wednesday when Waid's mission for DD gets back on track.

Rating: 3/5

Aquaman #8

Solid stuff yet again from Mr Johns and Mr Reis who are keeping Aquaman at those high levels they've established for the character ever since issue 1. It's been exciting to delve into Arthur's past over the last two issues, seeing what he was like before he became Aquaman. From what we've seen so far, he wasn't always so interested in being a hero - in fact there's a flashback in issue 8 where Aquaman refused to rescue innocent civilians in an attempt to keep up with the villain he was chasing. It took the rest of his group (the Others) to change his mind and get Arthur to help out, which he did begrudgingly. Aquaman's a bit of badass deep down we discover. There's also some tension between him and his wife Mera, who's been completely left in the dark concerning her husband's history with the Others, particularly the feisty (and scantily clad) Y'Wara. This rather funny moment occurred:

All in all Johns and Reis's Aquaman is as entertaining as ever and its great we're getting to find out more about his life before he became the superhero we know now. Top stuff.

Rating: 4/5 Pick of the Week

Thanks for reading!

'Daredevil: Guardian Devil' Review

Regular readers here at Amongst The Panels are already aware of my love for the blind superhero Daredevil. If you didn't know that, well I just went and told you. Regardless, there are plenty of Daredevil books out there I haven't read yet. And, dare I admit this, there are a few I have been a bit hesitant about reading. Guardian Devil used to belong to that group. Why did I hold back? Well it wasn't because of the writer. I've been a fan of Kevin Smith since I was a young and impressionable teenager, when Clerks, Mallrats and Jay and Silent Bob were the funniest films around. I held back because I wasn't so sure I was going to enjoy Joe Quesada's art. First impressions did not impress. Quesada's style is all his own, that's for sure, but I was worried it'd be a bit too cartoony for my tastes.

Thankfully I ignored the pessimistic thoughts in my brain and purchased Guardian Devil based on the good reviews it's received since it's publication. Guardian Devil's inception came about when Marvel Knights relaunched Daredevil in 1998 after the character had been cancelled due to lacklustre sales in the previous years. Indie film sensation and soon-to-be Hollywood director Kevin Smith, a lifelong comics fan himself, was brought in to take ol' Hornhead in a brave new direction and he was partnered with artist Joe Quesada, who became Marvel's editor-in-chief shortly after Guardian Devil's publication. Together they were tasked to take Matt Murdock from obscurity and force him back into the spotlight. Guardian Devil contains issues #1-8 of Daredevil Volume 2 (because this was the relaunch, after the old Volume 1 was cancelled, remember?). I opted for the fancy 10th Anniversary hardcover edition, simply because it was quicker to get hold of than the trade paperback. My workplace had only one these lovely hardbacks left in the warehouse so I only had to wait a day to get it, rather than the 2-3 days it would have taken to get from Amazon (I'm impatient). Plus, if I can get it at a good price I'll always opt for a hardback over a paperback - I love my hardbacks.

Considering the book only contains 8 issues, Guardian Devil feels like its made up of a lot more. These are lonnnnng issues. That's solely down to Smith's script and the amount of words he manages to cram in. I know how this looks, like I'm complaining, right? Overly wordy comics can suffocate the life out of a story but Smith's script does not suffer from this. There may be lots of words but the quality is top notch and the plot benefits from Smith's attention to detail. However, I was concerned that the heavy Catholic angle I'd heard so much about would turn me off a bit. I needn't have worried because Smith works the religious aspects into the story beautifully and the overall feel of the book wouldn't have been as effective without it. All the reviews I'd read before purchasing Guardian Devil made it clear that this book simply had to be read because of the life changing events that occur within. Now unfortunately I knew going in what this "big event" was (click the link to see, but be aware it's a SPOILER - oh yeah, you should probably avoid looking at the photo below too!) but thankfully it still had the desired effect on me: powerful and traumatic. After finishing the book I could see that the events that take place in Guardian Devil really do go on to shape Matt Murdock's character. This is a character defining piece of work in every sense of the word. It is a tribute to Smith's quality that the writers who succeeded him constantly referred back to Guardian Devil as a source as to why Daredevil is who he is, and more importantly does what he does.

Smith's background in film is obvious throughout: he brings a cinematic quality to Guardian Devil and it quickly becomes clear that the 2003 Daredevil movie took a lot of influence from this book (Smith even had a cameo role in the film). Speaking of cinematic qualities, Quesada's impressive panels really brings Smith's script to life. Once I became accustomed to Quesada's unique style I began to appreciate his skills as an artist. Quesada definitely improves with each issue and by issue 8 he has everything nailed down perfectly. But... there's still something about his style I don't like. Maybe I should rephrase that. I do like Quesada's pencils but I don't love them, and to totally go mad about a book I need to love the writer's story and the artist's pencils. Everything needs to click for me to sing a book's praises to all my friends and unfortunately Quesada's artistic style prevents me from doing that for Guardian Devil. What is it I don't like? I think the body proportions look a bit odd at times, like the character's heads are slightly too big. And there's something about the way Quesada draws their eyes too. Its nit picking really, but everyone has their personal preferences and I'm quite picky when it comes to comic book art.

Overall, Quesada's art doesn't impact the quality of the book that much. It just prevents me from calling Guardian Devil perfect. Smith's story belongs up there with the best Miller, Bendis and Brubaker created in their day. The fallout from the book has had a profound impact on Daredevil stories ever since and there's no question that Guardian Devil is essential reading for all fans of Matt Murdock. It sees our hero go through a dark and painful journey only to emerge from the suffering and into a new millennium. Guardian Devil established the character for over a decade and has only recently been altered with Mark Waid's more upbeat tales. This book marked the beginning of a new era in Daredevil's history, one that equalled and arguably surpassed the heights Frank Miller set in the eighties. For that reason, Guardian Devil is a book no die-hard Daredevil fan can pass up.

Rating: 4/5

Thanks for reading.

New Comics - 28th March 2012

Apologies for not reviewing my purchases from last week. There were two reasons for this: 1) My haul last week was pretty big, with a lot to read, and 2) I went on holiday the day after I bought them and so didn't have access to the web to post my reviews. Sorry about that. Anyway, on to this week's books:

Aquaman #7

Issue 7 of Geoff Johns and Ivan Reis's run on Aquaman sees the beginning of a new arc involving a group called 'The Others' and we find our hero with some explaining to do. I always struggle to review issues that start with a new story arc, especially when Geoff Johns is behind the script because this is obviously going to be paced slowly, which isn't a bad thing, it just doesn't give us a lot to talk about in the first introductory issue. Aquaman #7 introduces us to 'The Others', a group of men and women (probably Atlanteans) who share some unknown relationship with Aquaman; all we seem to know is it looks like he used to belong to their team.

I don't really have much to say here. It was an enjoyable issue and Ivan Reis was incredible on art duties as he usually is. All I can say is I'm interested to see where this goes but I need a little bit more before I can judge it properly. As a single issue it was good but like I said, there's plenty more to come from Johns and Reis and I'm excited to see who 'The Others' really are and why Aquaman separated from them.

Rating: 3/5

Superman #7

Now this is what a Superman comic should be like. Superman #7 was twice as good as any of the previous 6 issues by George Perez and full praise goes to Dan Jurgens and Keith Giffen who co-wrote the plot. This book desperately need a new start and that's exactly what we got. Right from the start you could tell Giffen's script was going to deliver the goods: no longer do we have to suffer through those God-awful television reporters explaining every single detail because Giffen has produced a smart and witty inner monologue for Superman that is both enjoyable and interesting to read. I was surprised just how fun this was. It was a nice change to see Superman as an intellectual and his rapport with other characters was pitch perfect. Jurgens and Giffen have gotten of to a very good start and I'm eagerly anticipating issue 8.

My only nit-pick would be the art. From what I gather, the majority of the pencils were done by Jurgens but finished by Jesus Merino and it doesn't really produce the best results. The art is in no way bad - for the most part its well done and clear to follow. But for me its not the style of art a book like Superman deserves. I'd prefer a cleaner overall look to the pages and I think the fantastic Ivan Reis cover spoiled me slightly. I'd love an artist of Reis's calibre on Superman permanently. However that really is the only fault, and it is a minor one at that. Superman #7 was exactly the kind of issue this series needed and I hope Giffen and Jurgens can keep delivering quality like this every month.

Rating: 4/5

Avenging Spider-Man #5

This was my random choice from the shelves this week. I already buy Amazing Spider-Man every month so there's little room left in my life for two Spidey books. But having Leinil Francis Yu as a guest artist was enough to lure me in and it was a happy coincidence that Captain America featured heavily as well. I'd read issue 1 of this when it was released (bought it as a Christmas gift for my nephew) and enjoyed it quite a bit. I like the idea of Spidey teaming up with a different Marvel hero; it's like reading an Avengers book through Peter's eyes, which is great for me because my Avengers knowledge bank is rather limited so its nice to have Spider-Man there to guide me through it. 

Overall, Avenging Spider-Man #5 was good fun. Yu was his sublime best on art and Zeb Wells writes a great Spidey. The best part of this book is that I didn't have to have read any of the previous issues. It was easy to jump into and enjoy it for what it was and then have it wrapped up in a neat finish. I recommend checking it out if you want a fix of Peter Parker with some Avengers thrown in for good measure. I expect I'll pick up the next issue as #6 marks the start of a crossover featuring my Marvel favourite Daredevil, as well as the Punisher and Spidey (of course).

Rating: 4/5

Daredevil #10

Boy does it feel like a long time since issue 9! Along with Batman this is easily one of the most anticipated books for me, every single month. Mark Waid and Paulo Rivera, who've quickly become a Daredevil dream team, never fail to please. Issue 10 wraps up this two-issue arc featuring Mole Man, who has been stealing graves from a New York cemetery, including Daredevil's father Jack Murdock - yes, it gets personal for DD in this one. Without spoiling anything, Daredevil "saves the day" and resolves the problem, dispatching Mole Man in the end. I really liked where Waid took this; he turned a poor villain like Mole Man into a dangerous foe that forced Daredevil to get pretty nasty, about as nasty as he's gotten since they relaunched the character last year. There were moments in #10 that felt like we were seeing the Matt Murdock of old. I've really enjoyed the new direction Waid has taken the character since he took over, taking Matt back a bit to his 'swash-buckling' ways. But it was pretty awesome to see him get angry and ruthless like the old days, when he was at breaking point nearly every issue.

Even with Waid's brilliant script, this book wouldn't be the same without artist Paulo Rivera. Both of the creators need to share the credit because they really do work perfectly together. Rivera has produced another stunning issue here. His style lends itself beautifully to the character and ever since issue 1, Rivera has made Daredevil his own. Just look at that cover for proof. 

My favourite moment of issue 10 revolved around Daredevil getting home and reading Black Cat's letter. This little revelation was a really nice touch and solved some questions I've had ever since issue 8. I really hope Waid brings Black Cat back later on down the line; I'm a fan of the character and I like the idea of her as a love interest for Daredevil. It'd certainly make Matt's life interesting, that's for sure.

All in all, another sublime issue from a team establishing themselves as Daredevil legends. It doesn't get much better than this for a Daredevil fan like me.

Rating: 5/5 Pick of the Week

Thanks for reading.

'Wolverine: Enemy of the State' Review

Recently I've been trying my hardest to embrace the X-Men a bit more. They have always intrigued me but I've always held off for some reason. Sure, I liked the movies and I used to watch the cartoon on Saturday mornings as well. The majority of the characters are excellent but there's always been something I can't quite put my finger on to explain why I don't really like the X-Men as much as I probably should.

But I've tried to rectify that as of late. I bought and consumed Joss Whedon and John Cassasday's first volume of Astonishing X-Men in one sitting, such was the excellent quality of that book. Let's consider that as dipping my toe into the water: it was a start. However, the one guy from the X-Men that's always appealed to me most has probably been that little Canadian killing machine, Wolverine. I quickly looked up some reviews of his best stories focused squarely on him and a few jumped out at me as potential starting points. Frank Miller and Chris Claremont's tale of Logan in Japan definitely piqued my interest, as did a few others like Origin and Weapon X. But two titles in particular jumped out at me, both written by fellow Brit Mark Millar: Wolverine: Enemy of the State and Wolverine: Old Man Logan. So why did I go for Enemy of the State? It was the easier of the two to buy at the time, plus it was cheaper and I could get it right there and then instead of waiting for it in the post. In hindsight, Enemy of the State is probably not the best Wolverine book to read if you're just starting out with the character. But that wasn't a problem for me because despite having never read any of his books before, I already knew pretty much all there is to know about Logan. So even though Enemy of the State was my first Wolverine solo adventure, I didn't feel lost at any stage because his history has been talked about and discussed a lot in other books and especially the X-Men movies.

Before reading Enemy of the State, I already knew that this was going to be a book that didn't involve much character development. Thanks to reading some reviews before hand, I knew that Enemy of the State was going to be an action packed ride through the Marvel universe, where Logan faces off against friend and foe alike. Why is Wolverine trying to kill his friends you ask? Well I don't want to spoil too much of the story for you but lets just say that Logan gets a few of his wires crossed in that brain of his, thanks to some intervention from Hydra and the Hand. Thankfully, Millar's story delivers the goods because this involves one brutal, blood splattering fight after another. A word of warning to the squeamish: Wolverine gets violent in Enemy of the State, and he gets violent a lot. When Logan unleashes those claws of his there are consequences, involving the amputation of many enemy limbs. To make these fights that little bit more interesting, Millar gets Wolverine to face off against the best the Marvel Universe has, ranging from Elektra and Daredevil to the Fantastic Four. Even Captain America gets involved. At times Enemy of the State feels like a movie and I expect Millar probably had that in mind when he penned the original script. If you love action in your comics then look no further because Wolverine is at his brutal best here. I'll admit it's quite a spectacle.

Are there any cons to having so much action and so little plot? Well yes, there is. The fight scenes are expertly crafted by one of my favourite artists and Marvel legend John Romita Jr but even his expansive artwork can't make up for the distinct lack of story. I think it's finally dawned on me that I need a little bit more from my comics than non-stop action. I certainly understand the appeal and action-orientated comics definitely have a huge following, but nowadays I prefer a smart story over pages and pages of fight scenes and explosions. An example of this can be seen in DC's Justice League, which is full of beautiful Jim Lee splash pages but unfortunately lacks the dynamic plot to accompany them. This isn't really a knock on the writer because I really enjoy Mark Millar's work, and Enemy of the State is an entertaining comic book, no doubt about it. But in hindsight I probably shouldn't have opted for the one Wolverine book the majority of reviewers called "action-packed". However, I knew this going in to Enemy of the State, so what exactly did I expect? Now I realise and appreciate that a book focused solely on the fighting rather than the plot probably isn't going to sway me to call that book 'great', and that it'll more than likely settle for being simply 'good'. Wolverine: Enemy of the State is the latter. It would still make a good Wolverine film though...

Are there any more problems? Unfortunately, and it breaks my heart to admit it, but Romita Jr's pencils on Enemy of the State are not his best. I don't think it's entirely his fault though, because I think legendary inker Klaus Janson and Paul Mounts on colours need to share some of the blame. The problem is, and it happens quite often with such action-orientated books, with all that chaos happening on the page some of the details get lost amongst the blood, fire and explosions. Romita Jr's pencils suffer as a result; it feels like there's no space sometimes and some of his work gets very messy when Wolverine is thrashing around with multiple bad guys (especially when he's fighting ninjas). Now add to that Janson's distinctive thick lines and Mounts's dark colours, and the overall look of the book suffers. There is still some great work in here and Romita Jr excels when he's given splash pages. But overall Enemy of the State doesn't reach the levels of Romita Jr I am used to, and doesn't compare with his brilliant work on Daredevil: The Man Without Fear and J. Michael Straczynski's Amazing Spider-Man run.

Despite my negativity this is still a fun book and well worth checking out. Wolverine fans will love it but I think, for me, there are other books out there featuring the crazy Canuck that will suit me better. I'm sure this isn't the last I've seen of Logan...

Amongst The Panels rating: 3/5

Thanks for reading.

'Daredevil: Bendis & Maleev Ultimate Collection Vol.1' Review

Let's get this out of the way early: Daredevil is one of my favourite comic book characters and easily my favourite Marvel hero. Spidey used to lay claim to that crown but as I got older Daredevil took over. So we're dealing with one of "my guys" here in this review. He wasn't always at the top though. In fact there was a time, not so long ago actually, that I barely had Daredevil on my radar. I knew of the character but had never read any of his books and honestly, I thought what could possibly be so interesting about a blind superhero? But I had heard such good things, especially from my friend Simon, so I decided to give DD a try one day. My love affair with ol' Hornhead started with the incredible Daredevil Yellow by Jeph Loeb and Tim Sale, which is still one of my favourite graphic novels I own. Yellow got me hooked; I needed more and thankfully there was plenty of good Daredevil stories out there to discover. After Yellow I hit the classics, starting with Frank Miller's Born Again and The Man Without Fear before getting on to Miller's first work on the character with his defining run on DD from the early eighties. That was it, Daredevil had me for good, but I knew there were more stories waiting for me. It turns out I hadn't even scratched the surface because I hadn't gotten to Brian Michael Bendis's mammoth works yet. So I took the plunge and ordered Bendis and Alex Maleev's Ultimate Collection Volume 1, containing issues #16-19 and #26-40. After reading and savouring every glorious page, I can safely say I've left the best until last. This book, for me, is Daredevil at his darkest and grittiest peak.

The book's first few issues are pencilled, or rather painted, by artist David Mack and look stunning, really taking advantage of the comic book medium. Mack's brush strokes succeed in putting the reader right into the head of Ben Urich, the reporter the first arc is based around. Its a wonderful way for the book to begin but its not long until we get into the meat of the book when Bendis combines with Maleev in issue 26. Maleev's pencils are absolutely perfect for the world Bendis has built for Daredevil. I was a little worried that Maleev's style wouldn't do it for me; I was concerned his art might be a bit messy, a style I'm usually not a fan of. Naturally Maleev put any of my concerns to rest because despite his pencils being a bit rough, they are perfectly suited for the nature of the story and any other style would be wrong. The tone set by Bendis's script demands a certain roughness so Maleev's scratchy pencils work perfectly. More refined, cleaner pencils wouldn't complement Bendis's script half as well as Maleev's do. This book is the total opposite to the Daredevil I read every month by Mark Waid; this volume is from a time when it wasn't much fun to be Matt Murdock. However that's not a bad thing, not in the slightest, because this book is still incredibly enjoyable. There's a lot to love here.

Why do I love this book so much? Well it starts and finishes with Bendis's writing. I'll be honest and admit I haven't really read much of the man's work. I enjoyed some of his stuff in Ultimate Spider-Man in the past but I recently read some of his work in New Avengers Volume 1 and I hated it. So despite hearing so many good things about this book, I was a little hesitant that Bendis wouldn't hit the high notes set by Miller in the previous DD books I'd read. Luckily I had absolutely no need to worry because Bendis didn't disappoint; he excelled and exceeded my expectations. I now understand why Bendis is held in such high regard when it comes to Daredevil because its obvious he gets this character completely. More importantly Bendis succeeds in placing Matt, as well as the reader, in the nightmarish environment of Hell's Kitchen, New York City. And its never felt more menacing thanks to Bendis, as Maleev is given full freedom to create pages where you can practically smell the stench of crime wafting off the page. Daredevil's world reeks of evil and darkness and thanks to Bendis and Maleev you really feel like you're right there in Matt's world, like a fly on a filthy wall. Another area Bendis excels in is filling in the back-story. Superhero comics can suffer when the attention isn't focused on the primary character but that's not the case here. Some of the best scenes occur when Daredevil isn't around. From gangsters scheming in their underworld hideouts to the FBI's NYC offices, Bendis keeps the story interesting even when Daredevil isn't directly involved, something rarely pulled off so well.

Overall I'm so relieved that this book succeeded in living up to my expectations. I was really looking forward to reading this volume and desperately hoped it would be as good as I'd heard. Thank God it was. Bendis and Maleev have struck comic book gold here and I'm so lucky because I have two more volumes of their work still to read (once I buy them). My only problem with this volume is I wish I hadn't waited so long to get it! This had been on my Amazon wishlist ever since I first got interested in the character but it took me a while before I snapped and bought it. Thankfully it was worth the wait. If you like Daredevil and crime/noir stories, then this is the book for you. Bendis and Maleev are recognised as being right up there with Frank Miller as Daredevil's top creators and its easy to see why after reading this. A must-read for all fans of Matt Murdock. I cannot wait to get hold of the next volume.

Amongst The Panels rating: 5/5

Thanks for reading.

New Comics - 29th February 2012

Two books for me this week. I nearly bought a few more but decided to be resilient and not buckle and settled for my usual books: The Amazing Spider-Man #680 and Justice League #6. On to the reviews:

Justice League #6

So the first arc of DC's flagship title Justice League is finally over. It's been a good run but there's definitely been something missing to make it the amazing series we were all expecting. The art by Jim Lee was superb (of course) but Geoff Johns's story felt bit underwhelming in the end. Issue 6 saw DC's finest pull together to send Darkseid back to whence he came and transform them from vigilantes into role models in a single fight. But this issue definitely lacked the resolution I wanted. Darkseid wasn't defeated, he was just sent back through his portal, which kind of sucked as an ending in my opinion - maybe I was looking for a more definitive finale. Jim Lee's work on the action scenes were terrific though. When Wonder Woman and Aquaman went for Darkseid's eyes, those characters have never looked so good.

Altogether, the first 6 issues of Justice League have been okay but they haven't been great. Now normally I'm alright with okay from my comics, but from the leading title in DC's New 52 relaunch I expected a little more. I think these issues will probably read better in trade format, instead of 6 week gaps inbetween issues. Also, maybe now the team has been established some real stories can be told and the characters can begin to develop, and the team come together properly. I really liked the scene with Superman breaking free (with help from Batman) from Darkseid's minions to join in the fight - he finally got some attention in this book. It felt like despite being DC's most recognisable icon and de-facto leader of the Justic League, he was barely used in these 6 issues, and we had to endure a lot of Johns's personal favourite Green Lantern instead (not necessarily bad).

Overall, Justice League was just okay when it really needed to be great. I'll still be buying this but in the future I'd like a little bit more story because most of these issues felt like a Jim Lee art exhibition. That's not all bad but I want some reading material in my comics from time to time too.

Rating: 3/5

The Amazing Spider-Man #680

Wow. This was a lot better than I thought it was going to be. Slott's run on ASM has been a lot of fun and pretty silly most of the time but when I saw that Spidey was gonna be in space, my first thought was "Oh God, please don't go down a really stupid road with this." It turns out I had no need to be worried because issue 680 was really, really fun.

The main reason issue 680 was so enjoyable is purely down to the fantastic writers. Yost and Slott are on fire here, especially during the scenes between Peter and Johnny Storm. In the past, some of my favourite Spider-Man stories have featured the Human Torch (which ones you say? Ultimate Spider-Man #69 and Spider-Man, Human Torch #5, coincidentally written by Slott). It's all about the witty dialogue, the constant back and forth bickering between Peter and Johnny. Their squabbles really make the issue a joy to read and I was actually laughing out loud on same pages. Fantastic writing and the book benefits immensely when the writers understand their characters completely. The art by Giuseppe Camuncoli was good, but nothing to write home about; it was solid stuff and better than Camuncoli's last issue on ASM (#675).

If you've been wanting to read some Spider-Man but have been hesitant to jump on because of his enormous history, fear not because issue 680 is the perfect issue to get back into the world of Spidey. It's a brand new arc and #680 has been the most enjoyable issue I've read since Spider-Island concluded. It's well worth trying out.

Rating: 4/5

Thanks for reading.

New Comics - 15th February 2012

Apologies for the late post. Since picking up my books on Wednesday morning, I then went away for a few days on a mini holiday so I didn't really have time to review them. Nonetheless, there are five books for me this week, and the reviews are better late than never, right? Let's get to them then...

The Amazing Spider-Man 679.1

So apparently Marvel's Point 1 books are all about getting new readers onto their books. A single issue which is supposed to be the perfect jumping on point for somebody who hasn't read the character before. Well I didn't get that feeling with ASM 679.1. The story by Dan Slott and Chris Yost was fine, but I'd hardly say this was a great story for new readers to fall in love with Spidey.

First of all, right from the start there was a huge reference to Spider-Island, the epic story from last summer. Are new readers supposed to know what that is? It's kind of explained here but still, is that really the best way to start an issue aimed at newcomers? In my opinion, no. Second of all I'm not really a fan of Morbius, the big baddie featured in this issue. Finally, why are some of the characters wearing huge hoodies and baggy cargo pants? This isn't the late nineties/ early noughties anymore, so I don't expect Peter Parker to look like my 12 year-old self when I used to hang out at the skatepark. It looked pretty bad and the art suffered as a result.

Overall this was a pretty mediocre issue and failed in it's mission to appeal to new readers. If this was the first issue of ASM I picked up, I wouldn't be jumping on for the long haul. This issue had 'filler' written all over it and I doubt it'll have much effect on the upcoming issues and storyline Dan Slott has cooked up for ASM #680.

Rating: 2/5

Nightwing #6

I've got mixed feelings about issue 6 of Nightwing. Despite the story progressing and Dick finally finding out who Saiko is, it felt like something was missing. I can't exactly put my finger on it but I'm not loving Nightwing anymore. Why is that? Well I'm a little tired of the whole circus thing now. I'm hoping Kyle Higgins can wrap this up pretty soon and move on because I'm getting a little bit bored of Haly's Circus.

I also have some problems with the story in issue 6. When the Haly's Circus team reveal that they're hosting a special anniversary show in Gotham to remember Dick's parent's deaths, Dick protests and rightfully so. But then the team say: "You may "own" Haly's, Dick, but that doesn't mean we're going to let you drive us into the ground. Hire whatever extra security you want, but this tribute is happening -- whether you show up in Gotham or not". So instead of Dick laying down the law and saying 'no means no', the show goes ahead as planned. Nightwing's parents were murdered in Gotham and the idiotic crew want to "remember" them with a show in the same place they died? Not very sensitive to Dick's feelings are they?

There's not much more to say here, apart from I can't wait for this arc to finish up so the Court of Owls crossover can bring a bit more spark into Nightwing's life. Eddy Barrow's pencils are still fantastic but this book needs a bit of a kick in the backside to make it shine.

Rating: 2/5

Daredevil #9

It's becoming increasingly difficult to come up with new ways to praise this book. I'm running out of superlatives and adjectives to describe how amazing the duo of Mark Waid and Paulo Rivera are when it comes to Daredevil. Issue 9 marks the beginning of a new story, where our hero has to delve underneath New York City to find out why coffins are going missing, including the casket of Matt Murdock's father. Matt quickly discovers who's responsible for thieving so many corpses and can't stand back and watch the desecration. Naturally this lands DD in a bit of a pickle...

It's safe to say by now that Mark Waid really gets Daredevil. It didn't take 9 issues either, you could tell Waid was born to write Daredevil from issue 1. He understands the character completely and his script is always a joy to read. It's so much fun to find out how DD turns his blindness into an advantage and how he uses his powers. Coupled with Rivera's unique way of depicting Matt's radar sense, you really get a sense of knowing exactly what Daredevil is going through, bringing you closer to the character. Issue 9 is another fantastic example of the comic-book medium firing on all cylinders. This is Daredevil at his best and long may Waid and Rivera stay on this book. Flawless.

Rating: 5/5

Batman #6

Batman is easily my most anticipated book every month. After the fantastic issue 5 last month, I couldn't wait to get my hands on this month's issue, and Scott Snyder and Greg Capullo definitely didn't disappoint. After issue 5 saw Batman begin to lose his grip on reality, as well as the Talon finally getting to him, things didn't look to good for the Caped Crusader. The first page of issue 6 re-enforced this:

As Batman takes a serious beating and is on the verge of death, we see Bruce finally give up and give in to the pain and suffering. Capullo's art during the first few pages is horrifying, especially when the 'Owls' descend from above to pick apart Batman piece by piece. It isn't until Bruce spots a photo of his great-great-grandfather Alan Wayne, and realises that he went through exactly the same brutal experience, that Batman begins to fight back. And in some style too, as he goes toe to toe with the Talon, unleashing all his fury on the masked assassin. Again, Capullo's art excels here as we see the pent-up rage explode from Bruce. Batman just about escapes from the Owls (but not completely it seems) and it's going to be interesting to see the fallout from this issue. How will Alfred, Nightwing and the rest of the gang react to Bruce's reappearance? Surely Bruce must admit he was wrong before about there being no such thing as 'The Court of Owls'? And what of the final page, where we discover there was more than one Talon - that there is in fact a whole room full of them, ready to be unleashed upon Gotham. Things are about to get really interesting from here...

The highest praise I can give this book is that it always leaves me wanting more. The Court of Owls is about to explode across the entire line of Bat books and I can't wait to see how it unravels. Gotham is in store for some action, that's for sure.

Rating: 5/5 Pick of the Week

There was a bonus book this week too...

Secret Avengers #22

Secret Avengers #22 was a book I wanted last week but unfortunately I wasn't quick-minded enough to contact my local store and get one put by for me. Well I wanted to give it a try anyway and thankfully Nick at American Dream ordered a copy in for me.

Now let me make this clear; I have never read an Avengers book before. To be quite honest, I don't really like the Avengers very much. If somebody asked me to choose between Superman, Batman, Wonder Woman and the rest of the Justice League or Iron Man, Captain America, Thor and the Avengers, it's no competition for me. My DC allegiance shines through and I'll take the Justice League every day of the week.  But in the build-up to the Secret Avengers #22 release, I'd heard that this is the book for people who don't really like the Avengers, the anti-Avengers if you will. This interested me and the fact Captain Britain makes an appearance (a character I've wanted to read about for a while) was an added bonus.

Unfortunately, for me, this issue didn't live up to the hype. The story was ok but didn't really get me excited or interested enough to make sure I pick up the next issue (which I probably won't). I really liked the concept of having a covert team of heroes, out to prevent disasters before they happen, but it was all downhill from then on. The first few pages where we see Captain Britain being recruited into the team were decent enough and I didn't even mind the silly moment when Hawkeye shot a sticky arrow into Captain Britain's mouth. What annoyed me most was a major problem I had with Rick Remember's plot. The scene where mini Avengers sprouted from that woman's back was ridiculous and I felt it was unnecessary and stupid. It completely killed any good vibes I was having whilst reading this issue, and the situation wasn't improved by Gabriel Hardman's confusing art.

For the majority of the issue I enjoyed Hardman's artwork, particularly the panels when the team first came together. This is the first time I've ever read anything pencilled by Hardman, and I know he has many fans, but to me his work has the look of a poor man's Michael Lark. The scene I mentioned previously about the mini Avengers was only made worse by Hardman's scrappy pencils, which by that stage in the issue were looking very messy indeed.

To top it off the issue felt like it finished rather abruptly and that was the final nail in the coffin for me. I enjoyed certain parts of Secret Avengers #22 but overall it didn't live up to the hype and I don't think Marvel will be getting my $3.99 when the next issue is released. It's sad because I really wanted to like this book a lot, but it fell short of the mark.

Rating: 2/5

Thanks for reading.

New Comics - 1st February 2012

Just the one for me this week since there's nothing from DC I usually pick up. Wasting no time, let's get to it:

The Amazing Spider-Man #679

Issue 679 of The Amazing Spider-Man (ASM) wrapped up a two issue arc involving Spidey getting mixed up in a time-travelling disaster that potentially threatened to destroy New York. In ASM #678, we saw Peter step through a work colleague's latest invention, a "door into tomorrow", and inadvertently altering the future in the process. This issue saw our hero go to every length to ensure that New York would be safe, that it wouldn't explode after all. After saving the city and it's citizens from impending doom countless times, nothing Spider-Man did seemed to solve the problem, until a little sit down at a diner with Mary Jane made everything clear for our favourite wall crawler. Peter realised it wasn't Spidey who needed to save the day, but Peter himself. 

Overall this was an enjoyable little story and it's clear writer Dan Slott doesn't take himself or the characters too seriously. The outcome is a fun, easy-reading comic. This two issue arc wasn't anything special, but it didn't really have to be because it's clear Slott has cooked up something a little bigger for the next few issues. This story was essentially filler, but was enjoyable nonetheless and that's all I want from my Spider-Man comics. The decision to combine Slott's witty writing with the excellent Humberto Ramos has been one of Marvel's best decisions in recent times as the two creators are perfectly suited for a book like ASM. Peter Parker has had his fair share of drama in the past, more than most actually, but Slott's light hearted approach to the character really works. Spidey is the guy who takes the piss out of criminals when he's knocking them out, he's not silent and serious like Batman, so it's good to see Peter having some fun whilst he fights crime. That's exactly the Peter Parker I want to see and ASM is all the better for it.

I'm looking forward to what Slott has lined up for the near future. Looks like it'll have something to do with Peter finding himself in space, which sounds a bit wacky but hey, everything else Slott has done so far on ASM has been good, so I'm being optimistic (for a change).

Rating: 3/5

Thanks for reading.

New Comics - 18th January 2012

This is traditionally my biggest Wednesday of the month, what with Batman and Nightwing always shipping at the same time, and normally Daredevil or the bi-monthly Amazing Spider-Man making an appearance too. I would have had even more to read this week if Justice League was released on time (rumour has it issue 5 will be out next Wednesday, the 25th). So let's get to the reviews of this week's purchases (there may be SPOILERS ahead, naturally).

Batman #5

We're 5 issues deep into Scott Snyder and Greg Capullo's run on Batman and it has been sublime so far. Every issue has left me wanting more and this week's edition was so no exception. Snyder has crafted one hell of a story here and Capullo's artwork bowls me over every month. This book is haunting, pure and simple. Issue 4 saw Bruce fall into the Court of Owl's lair and this week is the fallout, seeing Batman trapped in their labyrinth. I've read that some readers found this issue frustrating, because we didn't learn anything new and meaningful about Talon and the Court. I can understand their frustration but good things come to those who wait right? I'm certain Mr Snyder will reveal everything at the precise moment to cause maximum effect. This was all about seeing Bruce as a human being, stripped down and vulnerable, a man slowly losing touch with reality. This was a horrifying issue as we had to watch Batman be chipped away mentally, as the Court of Owls tortured and teased until our hero began to break down. Don't get me started on the whole "turning the pages" thing; it really weirded me out and for a second there I thought there was something wrong with my individual issue, like it had been bound wrong. The scene with Damian at the end was pretty touching, and it was nice to see him show some emotion for his father. I just hate how I have to wait another 4 weeks into I can find out what happens next; the suspense is unbearable.

Rating: 5/5

Nightwing #5

After 5 issues I've been enjoying Kyle Higgins' work on Nightwing. It's not knocking my socks off but its solid, entertaining stuff and a good read overall. However this week Nightwing seemed to take a bit a step backwards. The whole fight with a demon thing irked me a bit and I felt it didn't make for a great story. Eddy Barrows' art was the saving grace on this issue, possibly his best work on the book so far. Overall issue 5 wasn't great but the reveal at the end has kept me intrigued and I'm very interested to see where the plot goes from here. Dick Grayson is one of my favourite DC characters so even if this book was awful (which it isn't) I'd no doubt buy this book regardless of it's quality, such is my love for the character. Here's hoping the story heats up a bit from now on.

Rating: 2/5

The Amazing Spider-Man #678

Ever since the enjoyable epic that was Spider-Island came to an end, Amazing Spider-Man seems to have gotten a bit lost. After a couple of filler issues involving the Vulture, the dismal issue 676, and the first part of "Devil and the Details" which concluded in this month's Daredevil (I'll come to that), I was hoping Dan Slott would get the show back on the road and that's largely what we got this month in issue 678. I have to admit I was slightly disappointed this issue didn't mention or remark on the events that occurred in Daredevil #8 but I suppose its not really important in the grand scheme of things. Humberto Ramos returned on art duties and in some style too. A lot of people are a bit "marmite" when it comes to Ramos' style; you either love him or hate him. I am very much loving his take on Spidey and I feel he draws a brilliant Peter Parker, bringing some much-needed fun and humour to every issue. Despite his cartoon-ish ways I really enjoy Ramos' art and coupled with Slott's witty take on the wall-crawler, it all makes for an entertaining read. Keep it up please.

Rating: 3/5

Daredevil #8

Quite possibly Marvel's most celebrated title at the moment and I'm proud to say I've been there since the start. Well, if we consider issue 1 last summer to be the start. Mark Waid is still firing on all cylinders and continues to bring fresh and interesting stories to the life of Matt Murdock and Daredevil. This issue concluded the story that began in Amazing Spider-Man 677 and wrapped it all up beautifully. Waid made sure there was a bit of everything; some humour, lots of action, even some romance. I look forward to this book every month as it never fails to deliver the goods. This panel in particular made me burst out in laughter: 

Filling in for Paolo Rivera this issue was artist Kano, who did a stand-up job in the art department. His pencils were perfect, very Rivera-like and kept with the tone previously set by Rivera and Marcos Martin on the series. I hope Marvel can get Kano to fill in every time Rivera or Martin can't make it. Overall this was a great issue and a lot of fun. I enjoyed it so much that Daredevil narrowly edges out Batman as my pick of the week. It had the perfect blend for me and it seems Waid can't put a foot wrong at the moment. Long may he reign on Daredevil.

Rating: 5/5 Pick of the Week

Thanks for reading.